A Summary Of Prometheus Unbound 6h602v

A Summary of Prometheus Unbound Preface The role of poetry in reforming society. Act I Prometheus is chained to a mountain in the Indian Caucasus, where his heart is daily devoured by Jupiter's eagle, while the two daughters of Ocean, Panthea and Ione sit silently at his feet. Aided by his mother, the Earth, he starts to recall his curse of Jupiter: the Phantasm of Jupiter is called and repeats Prometheus curse, and Prometheus hatred for his adversary turns to pity. Mercury is sent by Jupiter with a vast chorus of Furies who tempt him to despair with visions of human inadequacy: war, famine, industrial urbanization, the failure of the French Revolution, and Christ's crucifixion. Panthea reminds Prometheus of his own eternal love Asia, whom he has forgotten. Panthea also proclaims her own love for Asia and goes off to "the far Indian vale" to waken Asia. Act II Prometheus himself does not appear in this act. Panthea tells Asia of her dream of Prometheus rejuvenated by love, and together they follow the mysterious echo of a second dream to the dark underworld of Demogorgon, whom Asia - in scene IV - rouses into action with her ionate declaration of love for suffering humanity. A constant stream of chariots of the Hours pours up. One of these carries the grim fate of Jupiter, another the happy reunion of Asia and Prometheus. Act III Jupiter is overthrown by Demogorgon, and the unchained Prometheus is reunited with Asia in a forest cave. The Spirit of the Hour describes the universal liberation after the fall of kings and the end of social classes, nations and racial distinctions. Act IV is a cosmic coda or epithalamium sung first by a chorus of Spirits of the Hour and another chorus of the Spirits of the Human Mind, then by the Spirit of the Earth and of the Moon. Previous Page

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Author: Percy Bysshe Shelley

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First Published: 1820 Type of Work: Lyric Drama Genres: Poetry, Closet drama Subjects: Mythology or myths, Nineteenth century, Human race, Asia or Asians, Gods or goddesses, Heroes or heroism, Fire, Greek or Roman times, Romanticism Locales: Caucasus

Utilizing a greater variety of verse forms than appear together in any major English poem, Shelley celebrates the change of heart in Prometheus by demonstrating that his hero’s discovery of love triggers its affirmation throughout the entire universe. Not only is Asia, Prometheus’ wife, raised from her cave in the Caucasus and freed to re her husband by the power released through his loving heart, but even the moon and earth dance in their orbits in heavenly sympathy and self-discovery. Jupiter is overthrown by Necessity, embodied in the terrifying Nemesis of Demogorgon, who rises in the form of Jupiter’s own child to cast the tyrannical father from his throne. Demogorgon coincides his judgment on Jupiter with Prometheus’ declaration of universal love. Necessity is not the instrument of revolutionary destruction, determinism, or any rational critique; necessity is the unfolding force of love. Shelley’s great song of liberty and love is his answer to 18th century rationalism as well as a rebuttal of Aeschylus’ intention in his unfinished trilogy on the story of Prometheus. The great Greek tragedian had planned to reconcile Prometheus and Zeus (Jupiter) through the Titan’s revealing of the secret that the head of the gods feared: that Zeus’s son, born of his marriage to Thetis, would overthrow him. Shelley could imagine no such understanding between love and evil. PROMETHEUS UNBOUND is one of Romanticism’s greatest contributions to the doctrine that “Love Conquers All.”