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BAHASA INGGRIS KEONG MAS TMII

OLEH: KETUT MULIAWAN 1705522025 I PUTU ERIK KUCERA 1705522031 DOSEN: Tri Anggraini Prajnawrdhi, ST., MT.,MURP., PHd TEKNIK ARSITEKTUR UNIVERSITAS UDAYANA 2017/2018

HISTORY OF KEONG MAS

Sumber : http://galihdegal.blogspot.co.id/2017/01/kritik-arsitektur-gedungteater-keong.html

Since each Indonesian province maintains its own unique and distinct cultures, shelters, attire and dialects, TMII built a model of each of the houses from Indonesian provinces. TMII attempted not only to reconstruct the homes of the various provinces, but also to create a realistic model of the environment and shelters of the various people of Indonesia.[3] The venues, which are situated around the main lake in a similar fashion to the different islands of the Indonesian archipelago, are thematically divided into six areas in respect to the main islands of Indonesia; Java, Sumatra, Kalimantan (Borneo), Sulawesi, the Lesser Sunda Islands, Maluku and Papua. Each pavilions featured in typical vernacular Indonesian architecture of each provinces. Examples of Indonesian traditional vernacular houses are: Joglo and Omah Kudus Javanese houses of Central Java and Yogyakarta pavilion; Minang Rumah Gadang of West Sumatra pavilion; Malay

houses of Jambi and Riau provinces; Torajan Tongkonan and Bugis house of South Sulawesi pavilion; and Balinese house compound with intricately carved candi bentar split gate and kori agung gate. It also displays various traditional costumes, wedding costumes, dance costumes, also ethnography artifacts such as weapons and daily tools, models of traditional architecture are in display to describes the way of life of its people. Each provinces pavilions also equipped with small stage, amphitheatre or auditorium for traditional dance performances, traditional music performances or traditional ceremonies that usually held in Sundays. Some of these pavilions also equipped with cafeterias featuring traditional Indonesian cuisines and also souvenir shops offering various handicrafts, T-shirts and souvenirs. Since 1975 until the 2000s, the original design of TMII consist of a model of the houses from the 27 provinces of Indonesia, including East Timor. But after the secession of East Timor from Indonesia in 2002, the East Timor pavilion changed its status to become the Museum of East Timor. Also since Indonesia now consist of 33 provinces, currently the new province pavilions of Bangka Belitung, Banten, West Sulawesi, North Maluku, Gorontalo, Riau Islands, and West Papua is being built in northeast part of the park. After the recognition of Indonesian Chinese culture as the integral part of Indonesian culture in 2000, the new Indonesian Chinese pavilion and a Confucian temple was built within the park. The existence of Keong Mas Theater was initiated by the late Hj. Tien Soeharto. As a means of recretion and education, the venue is open to the public since April 20, 1984. Occupying an area of 4.4 hectares of the building is divided into sections such as theater, office, toilet, employee and power house. For parking area can accommodate 235 sedan / minibus and 24 bus / microbus vehicles. On the front, side and rear there are parks as a er of beauty. The immense golden conch-shaped Imax Theaters, a playground and a special film show with advanced technology, was founded on the initiative of Tien Soeharto's mother, and began operation on April 20, 1984. This distinctive theater building is intended as an educational recreational facility to introduce wealth nature and culture of the nation through gigantic movie screening by using sophisticated cinematographic technology modem IMAX Projector. Watching the movie in this theater, the audience seemed to take part in it and also participate as a player. The imax film technology shows its sophistication and ability to create powerful attraction that making the audience amazed. Some films are available for screening, including Indonesia Indah I, Indonesia Indah II (Indonesian Children), Indonesia Indah III (Indonesia Manikam Curse in the Equator), and Indonesia Indah IV (I'm Proud to Be an Indonesian Child) . Everything shows the beauty of the environment, the richness of nature, and the diversity of Indonesian culture. In subsequent developments the screening of the film not only showcases the films of Indonesia Indah series alone, but

also interspersed with screenings of imported educational films with entertainment, science and technology themes , as well as environmental themes. Since 1984 the Imax Keong Emas Theater has twenty movie titles imported with lease period of between 1 and 2 years. The films include To Fly, Speed, Blue Planet, The Living Sea, Forces of Nature, T-Rex, The First Emperor of China, Island Adventure, and Mistic India. In 2004, the theater was able to upgrade the system and simultaneously play the IMAX DMR (Digital Re-Mastering) movie, a revolutionary technology that enables the transfer of 35 mm format films into IMAX EXPERIENCE 70 mm. ARCHITECTUR OF KEONG MAS Architecturally, the acoustic aspect is very instrumental in this theater design. Various means and sound absorbing (acoustic) s are strategically placed at specific locations around the theater, resulting in a clear and perfect sound reflection. The sound is designed in such a way as to the presentation of IMAX theater prime. The stylist is equipped with a wide frequency division, high degree of sound and the same level of voice spread. With special effects on the bass, structuring with 6,200 watts of electrical power produces continuous music.

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Theater Building Imax Gold conch with a regular seating capacity of 811 people and VIP as many as 36 people, 21.5 x 29.3 m screen and equipped with modern cinematographi film projector IMAX 70 mm film

format. This system can give the image quality and influence to the audience so as if the audience itself is in every scene the movie is watching.

MIMESIS Design of Gedung Keong Mas TMII theater using mimesis theory or imitation of spiral snail shell shape without thinking about natural snail function. The structure of this building is curved, thin, stiff and strong as well as the structure of the original mas shell mas itself. Mimesis originally came from ancient Greece, when they wanted to characterize the natural foundations of painting and sculpture, poetry and music, dance and theater that in modern times is called art. Some of those who lived at that time called it mimemata (origin: mimema) which eventually resulted in a work called mimesis. Some ancient Greek words are often associated with mimesis, such as mimema (imitation), eikon (image) and homoioma (equating) which presents a wider understanding of mimesis. The most fundamental difference of the mimesis theory lies between the mimena and the real thing. For example a house is a real thing whereas paintings or sculptures that resemble a house is a mimena, something like a home but not a house. At this time the mimesis is known and appreciated as one of the oldest theories of art, it can be seen from the borrowing of forms, as well as the movements of nature that are inspired in the work of modern humans, whether in the form of ancient buildings (eg Sphinx in Egypt) and works of art dances that follow the motion of nature, even martial arts that adapt the movement of the animals. Rudolf Arnhein, argues that playing with imitation (in art) is a pleasant aspect of life, a condition acceptable to the public. In its extension, it establishes the concept of borrowing in imitation (imitation) in art as when it has to borrow a sense of tension, turmoil, and sense of senenag after winning the battle, regardless of its harmful and painful consequences. The concept of mimesis through imitation also shows the existence of 'borrowing' and 'derivation' or taking (in part) from its origin, not entirely. Because if this is done, it can be categorized as an attempt to copy. Something considered 'inferior' by the majority of modern pure aesthetic movements, as ugly as 'eclectic' and 'derivatives', which is also seen as an attempt to escape the ability to perform true imitations. Mimesis is one of the alternatives in design that re-enacts the initial appearance by making changes so that there is a work that is dual. A stealth, a work that can be said to be a representation of the original form, but at the same time can also be said as a genuinely new original work. Changes that can be

done in the form of replacement of functions, resizing, transfer of positions and various architectural modification techniques that gave birth to an original work that still has a close relationship that is inseparable with the initial appearance. Miniature Park Indonesian Keong Mas Miniature Park is Indonesia's answer to every visitor's prayer to see the magnificent archipelago in just one day. An extensive park to get a glimpse of the diverseness of the Indonesian archipelago, it represents Indonesia's 27 provinces and their outstanding characteristics, reflected most strikingly in the exact regional architecture of the province. An extensive theme park set in over 100 hectares on the outskirts of Jakarta; the All Indonesian islands are realistically reproduced in miniature in a central lake and around the lakes, there are pavilions. Each pavilions is representative of each province firm the traditional architectural style in miniature to a wonderful display of cultural items and exhibits. The park's centerpiece is a beautiful artificial lake. The complex was the brainchild of Madam Tien Soeharto, the late Indonesian first lady.

It also has its own orchid garden in which hundreds of Indonesian orchid varieties are grown. There is also a bird park with a walk-in aviary, a fauna museum and recreational grounds with a swimming pool and restaurants. The special interest here at Taman Mini is the Museum Indonesia. A richly decorated building in Balinese architecture, it houses contemporary arts, crafts and traditional costumes from the different regions of the country. Cultural performances, events, and even local delicacies from the provinces are prepared regularly, especially during weekends and holidays, to showcase Indonesia's rich cultural heritage. The park is open seven days a week, giving guests ample time to explore and enjoy the sights. And if a day tour is not enough, visitors can spend the night at the 'Desa Wisata' or 'Wisata Remaja' serviced accommodations. STRUCTURAL BUILDING STRUCTURES Imax The Golden Conch Theater implements a Shell-shaped roof that forms a rigid, guiding threedimensional structure that has a curved surface. The shell surface can have any shape. The most common form is the surface that comes from a curve that is rotated against one force (eg, ball, ellipse, cone and

parabola). According to the TeaterImax Keong Emas Theater, the builder uses a pile of prestressed prestresses and is connected by a ring, so it is perfect for picking up an earthquake While the dome building using shell structure system which is the largest dominant in Indonesia with diameter 46 m and thickness of 20 cm for the bottom and 15 cm for the top.According to the data obtained Pelita,the opening of the shell structure is ed by three-dimensional concrete arcs. The loading loads are carried out with full loading and symmetry load-bearing tests with a load of 1.275 times larger than the plan load or with a 300-ton load. In addition, the canopy system utilizes tigadimensional concrete press construction with tensile steel ribs as well as special glass fillings. Basically the shell is drawn from several shapes like cockatoo, coconut shell, crab shell, snail shell, and so on (CurtSiegel) .Shell is a rigid and thin three-dimensional structural shape that has a curved surface. Shell should be erected from reusable material such as reinforced concrete, wood, metal, brick, stone, or plastic. A good way to study the behavior of the burdened shell surface is by looking at it as an analogy of the membrane, the element of the surface in such a way that only the tensile force arises thereon. Membranyang carrying the load perpendicular to its surface will deform in a three-dimensional manner with a tensile force on the surface of the membrane. Most importantly, there are two sets of internal forces on the surface of the membrane that have a mutually perpendicular direction. It is also important that there is a tangential tension on the membrane surface which also serves to carry the load. In the shell, the forces in the meredional field are caused by full load. In the shell, the pressure given by the circular forces does not result in a bending moment in the meredional direction. Thus the shell can bear enough variation with the field stresses. The variation of the existing load pattern, however, must be a slow transition (a subtle change from the full load conditions of partial conditions for the lentent moments not to arise) In the curve, such a load can cause a large flexure, while the bending resilience is rapidly removed by aksimelingkar. The shell is a unique structure. The shell can work inflexibly for many different types of load although the shape is not really funicula. Shell Structural Requirements A shell structure must have three conditions, namely as follows: Must have single or doublecurved curved shapes must be thin to the surface or stretch must be made of hard, strong, ductile and resistant material to tug and pressure. Surface Classification To predict the treatment of the membrane structure as well as the possibility of its construction, not only should we know, but also the natural physiology of the surface and other treatment characteristics. Curves are the fundamental properties of the surface. A surface can be defined by many

different curves, therefore some special curvature should be identified: the main arch, Gaussian arch, and middle arch. This curve gives the surface characteristics as a single or double arch system, in which the double arch surface is further divided into synclastic and anticlastic surfaces INTERIOR KEONG MAS TMII Theater Imax Gold Keong TMII Jakarta is one of the earliest attractions I visited in Taman Mini Indonesia Indah. After more than ten years of never having a chance to visit this place, maybe even more than fifteen, finally some time ago we came back there. This time to watch another documentary about the beauty of the country in this beautiful country. Although the title of the movie I watched is exactly the same as what I saw tens of years ago, namely Indonesia Indah, but seeing it again is still very impressive. Indeed there are four series of Indonesia Beautiful but as I recall only two that I ever watched. Nothing has changed in the lobby of the TMII Imax Keynk Gold Theater building, the official name of this place. Counters and queue places are still the same. Similarly the waiting room does not seem to change. Yet there is a somewhat old and gloomy impression, or perhaps the owner of an aging eye. Not many visitors will be watching on that day, so the roomy lounge is quite relieved. No need to fight for seats, and no need to stand while waiting

for the theater door to

open.

Sumber : https://www.aroengbinang.com/2018/02/theaterimax-keong-emas-tmii.html

Ceramic painting on the right wall illustrates the figure of Candra Kirana, princess of Jenggala Kingdom who in the story transformed into Golden Snail, next to it is mbok Rondo Dadapan. The story of Princess Galuh Candra Kirana from Jenggala who became fiance Raden Inu Kertapati from Kahuripan was forced to flee from the kingdom because he did not want to be proposed by the King of the Kingdom of Antah, and he was disguised as Dewi Sekartaji. In the runaway Batara Narada transformed it into a Golden Snail, which was later discovered by Mbok Rondo Dadapan and preserved by him in a water jar. From that day every time Mbok Rondo came home from the fields and rivers, he found his house neat and clean, and there was also good and warm food on the table. After repeatedly the same thing happened, finally mbok Rondo one day pretending to leave, but soon returned to take a peek at what was happening inside his house. Shortly waiting for him to gasp when from inside the jar came a beautiful princess who immediately worked deftly cleaning the house and then cooking. Once done, the princess disappears back into the jar where the Golden Snail is stored.

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An enormous ceramic painting attached to the left wall of the TMII Imax Gold Keong Imagine which depicts Raden Inu Kertapati from the Kingdom of Kahuripan with his two faithful guards. Meanwhile, the next day Mbok Rondo again pretend to leave. When the beautiful princess appeared, Mbok Rondo Dadapan rushed into the house. He took the house of golden conch from the jar and slammed it to pieces, resulting in the princess not being able to re-transform into a golden shell, and he was adopted by Rondo Mbok. The news of a beautiful princess in the village of Dadapan finally reached the ears of Raden Inu Kertapati who was wandering to find traces of her idol's daughter by posing as Raden Panji Asmorobangun. Finally, both were reunited and they returned to the kingdom by bringing Mbok Rondo who took care of the Golden Snail. An enormous ceramic painting attached to the left wall of the TMII Imax Gold Keong Imagine which depicts Raden Inu Kertapati from the Kingdom of Kahuripan with his two faithful guards. Meanwhile, the next day Mbok Rondo again pretend to leave. When the beautiful princess appeared, Mbok Rondo Dadapan rushed into the house. He took the house of golden conch from the jar and slammed it to pieces, resulting in the princess not being able to re-transform into a golden shell, and he was adopted by Rondo Mbok. The news of a beautiful princess in the village of Dadapan finally reached the ears of Raden Inu Kertapati who was wandering to find traces of her idol's daughter by posing as Raden Panji Asmorobangun. Finally, both were reunited and they returned to the kingdom by bringing Mbok Rondo who took care of the Golden Snail. The Golden Imax Battery theater lounge which although not cooled but comfortable due to high ceilings and good air circulation. While waiting, visitors can see the information located on the right side of the room. Visible steps behind the high cylindrical glass which is the path to the balcony that is reserved for VIP audience. In addition to playing movies with Indonesian themes, Theater Imax Keong Emas also rented a variety of imported educational films with entertainment, science and technology themes, and environmental themes. In each period a different movie title is played. The local films are Seri Indonesia

Indah, Indonesia Indah I, Indonesia Indah II (Indonesian Children), Indonesia Indah III (Indonesia Manikarn Shadows at Equator), and Indonesia Indah IV (I'm Proud to Be an Indonesian Child).

Sumber : https://www.aroengbinang.com/2018/02/theaterimax-keong-emas-tmii.html

The room inside the Imax Keong Emas Theater building still looks elegant and in good shape, though it's getting old age. The carpets are dirty and need cleaning. The Imax Keong Gold Theater room is able to accommodate 920 people in economy class, and 36 people for VIP / Balcony class. While Vehicle Parking Area can accommodate 235 sedan / minibus and 24 bus / mikrobus vehicles.

Families bringing young children to the TMII Imax Gold Keong Theater must get ready to pay additional costs to buy souvenirs at the T-shirt Store, t-shirts, key chains, bags, and more, or buy toys at the toy store when out of space theater. A number of restrictions inside the theater room stuck to the walls, such as smoking, photographing / filming, carrying food & drink, and throwing garbage on the floor. It is also strictly forbidden to eat chewing gum inside the theater room. That’s all about Keong Mas TMII, thankyou.