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Shriram Bharatiya Kala Kendra COLLEGE OF MUSIC & DANCE 1, Copernicus Marg, New Delhi Tel. 43503333 / 23386428 / 29 www.thekendra.com
PROSPECTUS 2012 – 2013
PA AWARDEES ASSOCIATED WITH THE KENDRA Bharat Ratna RAVI SHANKAR Pa Vibhushan BIRJU MAHARAJ DHARAM VIRA Pa Bhushan AMJAD ALI KHAN DEBU CHAUDHURY KUMUDINI LAKHIA MAHESHWAR DAYAL SANTOSH SEN UMA SHARMA Pa Shree GHULAM SADIQ KHAN GUNDECHA BROS KIRAN SEGAL LEELA SAMSON MAYADHAR RAUT MUSHTAQ HUSSAIN PRATAP PAWAR PURUSHOTTAM DAS RANJANA GAUHAR RITA GANGULY SHAMBU MAHARAJ SHANTI HIRANAND SHARAFAT HUSSAIN KHAN SHOBHA DEEPAK SINGH SHOVANA NARAYAN SHUBHA MUDGAL SIDHESHWARI DEVI SUMITRA CHARAT RAM
SANGEET NATAK AKADEMI AWARDEES / FELLOWS ASSOCIATED WITH THE KENDRA 1952 MUSHTAQ HUSSAIN KHAN
1989 AMJAD ALI KHAN
1953 HAFIZ ALI KHAN
1989 MAYA RAO
1955 SHAMBHU MAHARAJ
1991 REBA VIDYARTHI
1957 LACCHU MAHARAJ
1993 BALA SAHEB POOCHWALE
1959 SUNDER PRASAD
1994 ATUL DESAI
1960 UDAY SHANKAR
1994 SULOCHANA BRAHASPATI
1960 WAHID KHAN
1996 DEBU CHAUDHARY
1962 MOHAN RAO KALLIANPURKAR
1996 RANI KARNA 1997 L.K. PANDIT
1962 RAVI SHANKAR
1999 LEELA SAMSON
1964 BIRJU MAHARAJ
1999 R.K. DHINGRA
1964 RAHIMUDDIN KHAN DAGAR
1999 SHOVANA NARAYAN
1966 SIDDHESWARI DEVI
2002 KIRAN SEGAL
1970 ACHARYA BRAHASAPATI
2003 URMILA NAGAR
1970 DILIP CHANDRA VEDI
2004 SASWATI SEN
1974 TAPAS SEN
2004 SHASHADHAR ACHARYA
1975 KRISHNA CHANDRA NAIK
2006 MUNNA SHUKLA
1976 NARENDRA SHARMA
2006 GAUTAM BHATTACHARYA
1977 ASAD ALI KHAN
2007 GEETANJALI LAL
1977 GIRIJA DEVI
2007 RANJANA GAUHAR
1978 PURUSHOTTAM DAS
2008 AMBA SANYAL
1981 ASHOK SRIVASTAVA
2008 YOG SUNDAR DESAI
1982 KUMUDINI LAKHIA
2009 DAKSHA SETH
1984 DURGA LAL
2009 GEETA MAHALIK
1985 MAYADHAR RAUT
2009 PRERANA SHRIMALI
1985 NASIR AMINUDDIN DAGAR 1987 UMA SHARMA
Dear Applicant, We welcome you to the Shriram Bharatiya Kala Kendra. The Kendra is an institution committed to the preservation and dissemination of traditional Indian music and dance. The college, founded in 1952, has a long established reputation for excellence in the field of performing arts. It is a lively cultural centre reflecting a fusion of rich artistic traditions and contemporary insights. The mission of the Kendra is to provide each student with education in a safe and ive environment that promotes a thirst for knowledge and understanding, sound values, self discipline, motivation and excellence in learning. The Kendra assists the students in developing skills, encourages them to become independent and self-reliant, and prepares them to become responsible citizens of the global community. At the Kendra, the learning process is seen as one that is both challenging and enjoyable. We believe an art education should foster creativity, independent thinking, as well as provide a deep grounding in one or more performing disciplines. We provide the students not only exemplary education but also a participative atmosphere to learn and perform. Towards this end we hold a Students’ Festival in Nov/Dec at Kamani and Founders’ Day in Jan where selected students from each class get an opportunity to perform live on stage. The students’ fraternity of the Kendra is expected to inculcate a sense of pride in and obligation to India's rich cultural heritage. With a variety of courses on offer ranging from classical vocal music to the highly stylized Chhau dance, the students gain immense exposure to the richness of India's performing arts. The faculty comprises gurus in different disciplines, who have earned laurels for themselves and for the Kendra. Some are alumni driven by the spirit of wanting to give back something of what they previously imbibed here. 1
The Kendra offers a diverse series of courses. Students can prepare for a performing and/or teaching career in their chosen discipline. Apart from the normal professional courses, there are classes for children in which a child can explore a particular musical or dance style without the immediate pressure of choosing it as a career option. The Kendra has a large and rare collection of books, audio as well as visual recordings and extensive archival material in its library. With Kamani Auditorium and spacious campus grounds, the Kendra is a focal point of cultural activities. It has a full calendar of cultural events in which every student is encouraged to participate actively. Apart from normal college activities, the students are in close touch with the Kendra's renowned ballet unit, a dance ensemble that performs extensively in India and abroad. Talented students have the privilege of performing with the unit, a privilege which carries with it, the advantage as well as the excitement of appearing on the best stages and working with inspiring choreographers. Being selected to the Kendra's student body is both an honour and a responsibility. It is hoped and expected that those who gain entrance here will be guided and inspired in their work by the artistic commitment of faculty and other students already studying here. The Kendra believes that financial constraints should not be an impediment to talented students; as such a limited number of scholarships are offered on merit cum means basis. Finally, I welcome you to the Shriram Bharatiya Kala Kendra and hope that you will find your stay fruitful and rewarding. Shobha Deepak Singh Director
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Shriram Bharatiya Kala Kendra COLLEGE OF MUSIC & DANCE 1, Copernicus Marg, New Delhi 110 001 Tel.: 43503333, 23386428/29. Fax: 23383568 E-mail: [email protected]
INTRODUCTION A premier cultural institute of the country, Shriram Bharatiya Kala Kendra was initially founded as ‘Jhankar’ in 1947. Started then as a group for the appreciation of Indian classical music and dance, ‘Jhankar’ has since grown into a regular college imparting training in music and dance. This institution was later ed as Shriram Bharatiya Kala Kendra in 1952 under the Societies’ Registration Act XXI of 1860, and has been recognised by the Ministry of Human Resource Development, Government of India. Preservation and promotion of our cultural heritage through the performing arts have been the primary objective and predominant goal of the Kendra. It has made significant contributions in this direction. This effort has expressed itself mainly in two directions: the College of Music and Dance, and the Performing Arts Section. The College offers tuitions in most of the classical dance styles and music forms of India, such as Kathak, Bharatanatyam, Odissi, Chhau, Hindustani Classical Vocal and Instrumental Music. Eminent gurus of these disciplines supervise the teaching programmes to help the students excel in their subject of study. The Performing Arts Section is engaged in production and presentation of dance dramas all over the country and abroad. The production and presentation of Ramlila has become a notable annual event in the cultural life of the capital, and over sixty thousand people witness it every year during the Dussehra month.
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LOCATION Shriram Bharatiya Kala Kendra is located in the heart of Delhi’s cultural hub, the Mandi House area. It nestles in the calm atmosphere of over two acres of space. The compound also houses the premier auditorium of Delhi — the Kamani Auditorium, which is a sister-body of the Kendra. It is surrounded by several prominent national centres of cultural activities, such as Sangeet Natak Akademi, Lalit Kala Akademi and Doordarshan Kendra. Other institutes include Kathak Kendra, National School of Drama, Triveni Kala Sangam and Little Theatre Group. The students, therefore, have good opportunities to interact with music, dance and theatre faculties. The Kendra is accessible by bus and metro. COURSES AND ISSION Subjects (a) Classical Vocal (b) Light Classical Vocal, including Ghazal, Bhajan & Geet (c) Tabla/Sitar/Sarod (d) Kathak (e) Bharatanatyam (f) Odissi (g) Chhau – Mayurbhanj (h) Ballet The study courses comprise the following: Course
Duration
a.
MUSIC & DANCE APPRECIATION COURSE
1 to 2 years
b.
CERTIFICATE COURSE
3 years
c.
DIPLOMA COURSE
2 years
d.
POST-DIPLOMA COURSE
2 years
e.
PROFESSIONAL COURSE (after Post-Diploma Course)
1 year onwards
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Rules 1. All students are required to attend classes at least thrice a week in the main discipline. Students failing to satisfy the conditions of attendance are liable to be disqualified from the college. 2. The minimum age for ission to the Foundation Course is 8 years as on July 1, 2012. Students will be considered for Diploma Courses only after they attain the age of 13 years. We have also introduced a Professional Training Course for PostDiploma holders. 3. Applications for ission should be addressed to the Director, Shriram Bharatiya Kala Kendra, 1, Copernicus Marg, New Delhi 110 001. Applications in prescribed form should reach the Kendra on or before 30th June 2012. The price of the prospectus with the ission form is Rs 300/-. 4. The selection of the candidates for ission to any course is made through an audition. Pre-recorded music is not permitted for the audition. 5. The application form has a list of positive weightage subjects. Please read them carefully and mark your preferences. Students, who have positive inclination to these subjects, will be given preference. 6. The new session of the Kendra starts on 1st July and concludes on 31st May every year unless otherwise notified. 7. The students are required to follow dress code norms as laid down by the Kendra. 8. Mobile phones should be switched off during classes; failing which they are liable to be confiscated for 24 hours. 9. Other than the fees, students are prohibited from paying any amount towards collection of money in class. Any such request / demand by any student or faculty member should be brought to the notice of the Principal immediately.
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FEES AND DEPOSITS Particulars
Amount (Rs)
*Prospectus / application form by hand
300.00
ICCR Students — Tuition Fee (per month) ICCR Students — Hostel Fee (per month)
2,500.00 2,500.00
*ission Fee (non-refundable) *Security Deposit *Examination Fee *Founder’s Day / College Festival Day *Library fund
1,000.00 1,000.00 1,000.00 1,000.00 500.00
*Security Deposit for Mess (refundable) *Security Deposit for Hostel (refundable) Hostel ission fee (non refundable)
2,000.00 2,000.00 1,200.00
Music & Dance Appreciation Course 1st year (per month) 2nd year (per month)
700.00 800.00
Certificate Course 1st year (per month) 2nd year (per month) 3rd year (per month)
900.00 1,000.00 1,100.00
Diploma Course 1st Year (per month) 2nd year (per month)
1,200.00 1,300.00
Post-Diploma Course 1st year (per month) 2nd year (per month)
1,400.00 1,500.00
Professional Course
2,000.00
Identity Card (The card to be returned after the expiry of student’s tenure) Duplicate Identity Card Hostel Charges (per month) (local students) Mess Charges (per month) (subject to revision)
100.00 100.00 1,600.00 2,400.00
* The exact amount of the fees payable will be communicated to the candidate after his/her ission and placement have been finalised. * At the time of issue of I-cards, all students need to bring along a recent port size photograph and fill in their blood group in the I-card. * All refundable dues will be held by the Kendra for a period of one year.
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PAYMENT OF DUES 1. All fees are payable in advance by cash. Fees will be paid for the first six months at the time of opening of the college and thereafter quarterly by 10th January & 10th April. For fees paid after July upto 10th August a fine of Rs 50/- will be charged and thereafter Rs 100/till end of the month. For fees paid after 10th January upto 20th January and after 10th April upto 20th April, a fine of Rs 50/- will be imposed and thereafter Rs 100/- till end of the month. (a) If the fee is not paid by the last day of the month of January & April, the name of the student will be struck off the rolls, and the security deposit shall be forfeited. Fee deposit timings are 10 am to 1 pm and 2 pm to 5.30 pm on all working days. (b) If a student s a second subject he / she will be charged the course fees and examination fees for the second subject. 2. If a new student is itted in the middle of the term, he / she shall have to pay fees on pro rata basis. 3. Fees once paid are not refundable. 4. If a student leaves before completion of the course without sufficient reason, he/she will not be refunded his/her security deposit. 5. The security deposit will lapse, if not claimed within one year of the student leaving the institution. 6. Each student of the college will be provided with an identity card. Students should carry this card while coming for the class and show it, if asked. The card will be valid for the academic year only. 7. Students holding scholarships from ICCR or similar organizations shall be charged tuition fees, etc., as per the arrangements agreed between the sponsoring agency and the Kendra. RE-ISSION A student, whose name has been struck off the rolls, will be reitted only at the discretion of the Management and on payment of Rs 500/- as re-ission fee.
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CLASS TIMINGS — WORKING HOURS 10.00 a.m. to 1.00 p.m. and 4.00 p.m. to 7.00 p.m. (Class Time Table may be obtained from the Principal). Classes on various courses will be conducted as per the Time Table. All classes should be vacated by 1.15 p.m. after the morning session and 7.15 p.m. after the evening session. VACATIONS The institution observes summer vacation for one month from 1st June to 30th June every year. ATTENDANCE AND DISCIPLINE 1. Students are expected to observe strict discipline in the class. 2. Students are required to attend at least 75% of the classes for BiAnnual and Annual examination. 3. Students, who remain absent for ten consecutive classes without leave applications, shall be struck off the rolls. 4. Parents and visitors are strictly prohibited from entering the teaching area. 5. Any student found indulging in any undesirable conduct will be suspended or expelled at the discretion of the Management. 6. Students are expected to actively participate in the activities of the Kendra, such as performances / concerts / lecturedemonstrations as and when required. ACCOMMODATION AND HOSTEL FACILITIES A gracious residence with beautiful lawns of its own, the SBKK Hostel has a Visitor’s lounge, and a Cafetaria. Limited hostel accommodation is available both for male and female students. The hostel is situated in the SBKK premises and is provided with basic amenities and furniture. HOW TO APPLY FOR ACCOMMODATION 1. Applications for hostel accommodation must reach the College before 15th July. The allocation of the hostel would depend on the student’s behaviour and aptitude. 2. Any candidate wishing to seek hostel accommodation shall be required to fill in the prescribed license form at the time of allotment of the hostel accommodation. 8
3. Ordinarily, only students residing outside Delhi shall be considered for hostel accommodation. 4. Applicants shall have to attach with the hostel application a medical fitness certificate. HOSTEL RULES 1. Hostel applications of only those students who attend classes six days a week will be entertained. 2. Applicants shall submit a written undertaking that they will not accept any paid job or any study/training course other than being conducted at the Kendra/College during the period of their studentship. 3. For any outside assignments, the hostel students shall apply to the Director, and obtain permission in advance. 4. Hostel accommodation shall not be claimed as a matter of right. The decision of the Management shall be final and cannot be challenged. Once the hostel accommodation is granted, students shall strictly abide by the hostel rules of conduct and other and conditions. 5. The SBKK authorities may recommend eviction of a student on disciplinary grounds; in which case, the concerned student would be given 48 hours to vacate the room. 6. If any student seeks to leave the Hostel on valid grounds, he/she must seek the prior permission of the Director through Principal/ Warden. 7. If a student leaves the hostel before the completion of one academic year, he/she will not be refunded his/her security deposit. 8. The Mess charges should be deposited by 10th of every month with s Department. 9. It is compulsory for hostel students to have a subsidiary subject. In case, a student discontinues to stay in hostel he/she will have to pay the fees for the subsidiary subject. 10. Students will keep the rooms neat and clean at all times. 11. The rooms will be inspected once a week.
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LIBRARY The Kendra houses a large library of rare and contemporary books in Hindi and English on music, philosophy, religion and associated subjects. The library is also equipped with a large and valuable collection of audio and video CDs. Students are encouraged to make optimum use of the library. CAFÉ The Kendra has a canteen which caters to the resident students as well as outsiders. It serves light refreshments and meals. EXTRA CURRICULAR ACTIVITIES The Kendra organises a wide range of cultural activities throughout the year. These include Krishna, Ram, Music & Dance Festival of SBKK at Kamani, Founder’s Day, Holi Festival, Shriram Shankarlal Music Festival and Ballet Festival. The Kendra expects the students to participate actively in all functions. The ornaments and costumes are all made at the Kendra and students are encouraged to participate in their making and learn in the process. The eligibility for extension of the hostel facilities depends, among other things, on the students’ participation in above-mentioned activities. Extra marks are allotted to hostellers for participation in Kendra’s activities. EXAMINATIONS Examinations for all subjects are held twice during the academic session. The first is the bi-annual (mid-term) examination and the second, the annual (end-term) examination. The Kendra reserves the right to disallow any student to appear in the examination on grounds of indiscipline or gross violation of rules or shortage of attendance. GENERAL INSTRUCTIONS 1. Park your vehicle in the allotted place. 2. Apply for leave in advance and get it sanctioned from your Teacher and Principal. In case of illness, applications must be ed by a medical certificate from a ed Medical Practitioner. 3. Do not take musical instruments out of the class-room. 4. Eatables/drinks are prohibited in the class-room. 10
THE KENDRA FACULTY Ballet / Chhau Dance SHASHIDHARAN NAIR Bharatanatyam JUSTIN McCARTHY SUDHA JAGANNATH Kathak MUNNA SHUKLA RAMMOHAN MISRA PRERANA SHRIMALI RAKSHA SINGH DAVID SWATI SINHA Odissi PRIYAMBADA PATTNAIK Sitar / Sarod BISWAJIT ROY CHOWDHURY Classical Vocal GUNDECHA BROTHERS JYOTIKA DAYAL MANJEET SINGH SONIA ROY Light Classical Vocal CHARANJIT SONI Tabla VIRENDRA MALVIYA
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THE FACULTY BALLET / CHHAU DANCE
SHASHIDHARAN NAIR, a brilliant performer of Kathakali and Mayurbhanj Chhau, and a choreographer of repute, began his artistic journey with Kathakali in his village Edakkalathur in Kerala, where he trained under Kalamandalam Panabhan Nair. He won a scholarship at the age of 9 that gave him the privilege of training under the great master of Kathakali — Kavungal Shankaran Kutty Paniker for a decade at the Rajah’s High School, Kozhikode. He learnt Mayurbhanj Chhau from the great master, Guru Krishna Chandra Naik at Rangasri Ballet Troupe, Gwalior and Shriram Bharatiya Kala Kendra, Delhi. He has been associated with Shriram Bharatiya Kala Kendra for over two decades — as a dancer from 1982 to 1984, as a trainer from 1987 to 1990 and as a choreographer since 1990.
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DANCE: BHARATANATYAM
DANCE: BHARATANATYAM
JUSTIN McCARTHY studied Bharatanatyam at the Way of the Dance School in California, and with Subbarayan Pillai in Madras before spending a decade with Leela Samson at the Kendra. He ed the Kendra as a teacher in 1988.
SUDHA JAGANNATH began her training in Bharatanatyam at the Shriram Bharatiya Kala Kendra in 1987 under the guidance of Leela Samson (1987-90) and later under Justin McCarthy. She has performed extensively in India and abroad, in solo, as well as with leading professional groups. At present she is assisting Justin McCarthy in conducting Bharatanatyam classes at the Shriram Bharatiya Kala Kendra.
He has imparted training to students from all over the world. He has created and choreographed many solo, duet and ensemble pieces which have met with critical acclaim. He has been honoured with Pt.Jasraj Cross-Cultural Understanding Award (2010).
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DANCE: KATHAK
DANCE: KATHAK
MUNNA SHUKLA has been gifted with talent and rare-deep insight into the finer nuances of Kathak, a classical dance form of North India. He is the grandson of the great Kathak Maestro, late Achan Maharaj, and a nephew of the illustrious Birju Maharaj.
RAMMOHAN MISRA, born in the prestigious family of Kathak of KalkaBindadin Gharana, is the son of late legendary Pa Shree Pt. Sambhu Maharaj. His initiation in Kathak dance was under his father at the age of six, who taught him the exact style of Kathak and abhinaya. After his father, he was guided by Pt. Birju Maharaj.
He received his initial training in Kathak from his father, late Sunder Lal Shukla, and later from Birju Maharaj under the National Scholarship Scheme offered by the Ministry of Culture. He has worked with the students of Film and TV Institute of India. Guru Munna Shukla was at the Kathak Kendra from 1976 to 2006, and has trained several artistes. His works reveal a rare combination of technical competence and creativity. He has been honoured with UPSN Akademi Award (1988), Sarangdeo Award by Sur Singar Samsad, Bombay (1989), Sahitya Kala Parishad Samman (2003), Sangeet Natak Akademi Award (2006), and Saraswati Music College Samman (2011).
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Rammohan Misra is the seventh generation of this family. He has performed in several prestigious programmes in all major states of India. After Birju Maharaj, he is the tradition-bearer of this gharana. He has the style and expression acquired from his father, and various other styles from the ancestors in his family. He is widely travelled and has been performing all over the world since 1979. He has been awarded the Indira Gandhi Priyadarshini Award 2006, Arch of Excellence Award, Outstanding National Citizen Award, and Gems of India Award.
DANCE: KATHAK
DANCE: KATHAK
SWATI SINHA started learning Kathak at the tender age of seven under Guru Rajendra Gangani at the Kathak Kendra, where she completed her diploma. She received scholarships from t h e Ministry of Human Resource Development in 1998. As an emled artist with the ICCR, she has performed abroad; she is also an A-grade artist with Doordarshan.
R A K S H A S I N G H D AV I D , a promising Kathak dancer, started learning at a very young age under the guidance of Smt. Sharmila Chatterjee. Thereafter, she pursued her M.A. from Khairagarh University under the tutelage of Prof. Rama Das. After her post-graduation, she underwent training at Shriram Bharatiya Kala Kendra under the guidance of Guru Shikha Khare.
Swati has performed in several dance festivals such as the Konark Festival, Swami Haridas Sangeet Samaroh, Kathak Mahotsava, Soorya Festival, and Nritya Pratibha. She has choreographed for the opening ceremony of the Youth Festival in Hyderabad in 2005, and World Dance Day in Patiala in 2006. She has also presented a fusion of Kathak, Bharatnatyam and Mohiniattam in San Diego, California, as well as a duet with Flamenco artist Bettina Castano.
At present, she is taking advance training under the guidance of Kathak Maestro Pt. Birju Maharaj for the past four years. She is also ‘Prabhakar’ in Classical Vocal and Junior Diploma holder in Light Classical Vocal.
Swati has conducted Kathak workshops in Delhi and Beijing, and has given lecture demonstrations for Spic-Macay. Presently, Swati Sinha is teaching at Shriram Bharatiya Kala Kendra.
She has received National Scholarship from the Ministry of Culture, and has also been awarded Nritya Ratna Samman by the Society for Action through Music (SAM). She has done many choreographic works such as ‘Yamuna Beech Shyam Chavi’, Dhruv’ and ‘Pakhi’. She has also written articles for various magazines and books. She has performed at various festivals, and also in a TV serial, ‘Bharat Ke Sant Kavi’ on DD Bharti. 15
DANCE: KATHAK
PRERANA SHRIMALI, a senior dancer of Jaipur Gharana of Kathak received her training in dance from Guru Shri Kundanlal Gangani. Having mastered the grammar and the complexities of the Jaipur style, with her grace, innovativeness and imagination, she ranks among the most illustrious and reputed classical dancers of India today. Equally competent in nritta and abhinaya, Prerana Shrimali has endeavoured to expand the Kathak repertoire by choreographing new and highly acclaimed compositions based on poetry – ancient, medieval, and modern. Widely travelled, both in India and abroad, Prerana has featured in all the major dance festivals in India. She has been teaching Kathak in Delhi for many years and is currently engaged in writing and researching on ‘Kathak and Abstraction’ for which she got Senior Fellowship from Government of India. She has also worked as the repertory chief of Kathak Kendra Delhi for two years. She is the recipient of the Rajasthan Sangeet Natak Akademi Award 1993 and the Sangeet Natak Akademi Award 2009. 16
DANCE: ODISSI
P R I YA M B A D A PAT T N A I K , a talented Odissi dancer, was born in a traditional art family of Orissa. The grand-daughter of the great Odissi maestro, late Pt. Chandrashekhar Pattnaik, she received her initial training from her father, late Indra Kumar Pattnaik and later with late Guru Mahadeo Raut for 10 years. Priyambada moved to Bhubaneswar in 1993 to receive advance training from Guru Gandhadhar Pradhan and Guru Bichitrananda Swain. She was also trained for seven years at Nrityagram, Bangalore. Priyambada has performed all over India and abroad.
INSTRUMENTAL MUSIC: SAROD/SITAR
MUSIC: CLASSICAL VOCAL
BISWAJEET ROY CHOUDHARY is an accomplished Sarod player and an excellent teacher. He had his first lessons in Sitar and Sarod from his father as a child, and moved to Calcutta in 1974 to learn under Pandit Indranil Bhattacharya, a pupil of Ustad Allaudin Khan. In 1978, a scholarship to study under Ustad Amjad Ali Khan brought Biswajeet to Delhi. He had the privilege of being trained under the legendary vocalist, Pt. Mallikarjun Mansur from 1980 till 1992. Many of his students have bagged national scholarships. He thus has the benefit of being trained under distinguished teachers in both the major schools of Sarod-playing.
GUNDECHA BROTHERS, Umakant and Ramakant Gundecha are one of India’s leading exponents of the Dhrupad style of music. They are among the most active performers of Dhrupad in India and abroad. Born in Ujjain in Central India, both were initiated into music by their parents. They learned the Dhrupad vocal art under the renowned Dhrupad vocalist Ustad Zia Fariduddin Dagar and also under Ustad Zia Mohiuddin Dagar at Dhrupad Kendra, Bhopal.
Over the years, Biswajeet has performed at various music festival and concerts all over India, broadcast regularly from All India Radio, and appeared on the television as well. He now lives in Delhi where he has been teaching both the Sitar and the Sarod at the Kendra since 1992.
The Gundecha Brothers have sung great Hindi poetry by Tulsidas, Kabir, Pakar, Nirala in Dhrupad style. They have several cassettes and CDs to their credit. They have also performed over radio and television in India and abroad. They have also performed at several music festivals abroad, including Europe, USA, Australia, Japan, Egypt, Singapore, Bangladesh, UAE and Hong Kong. Some of the many awards the Gundecha Brothers have received include the Sanskriti Award, Kumar Gandharva Award, Dagar Gharana Award, Rajat Kamal, National Film Award for Best Music Direction, and Pa Shree in 2012.
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MUSIC: CLASSICAL VOCAL
MUSIC: CLASSICAL VOCAL
JYOTIKA DAYAL was born in 1967 in Benares. An accomplished artist, she has completed her Post Diploma in the field of Hindustani Classical Vocal Music under the able guidance of Pandit Amarnath and Smt. Shanti Sharma at the Shri Ram Bharatiya Kala Kendra in New Delhi. She was a recipient of the Senior Scholarship from Ministry of Human Resource and Development, Government of India.
MANJEET SINGH was introduced to the field of Hindustani Classical Vocal Music by Prof. B.S. Bali (retired Principal of Music & Fine Arts College, Jammu). He received guidance from Late Smt. Shanti Sharma, a renowned vocalist who had been a guru at the Kendra.
Jyotika Dayal had her first performance abroad in Europe and Mauritius in 1995-1996. Since 1998, she has been a member of the Music Ensemble of Benares, where she plays an important part not only as a singer but also as a composer and choreographer.
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He has been honoured twice by the Governor of Jammu & Kashmir for his contribution to the field of Hindustani classical vocal music. He has also received the Swar Mani Award from Mumbai and the S a d b h a w n a Aw a r d f r o m t h e Government of J&K. He has also been a recipient of a National Scholarship from the Department of Culture, Government of India.
MUSIC: CLASSICAL VOCAL
MUSIC: VOCAL (LIGHT CLASSICAL)
SONIA ROY, ‘A’ grade artist of All India Radio, started learning Hidustani Classical Music in her early childhood and got consistent training for 11 years from Dr. Anjoli Chakraborty (professor at Rabindra Bharati University, Calcutta) and achieved blessings of Pt. Ajoy Chakraborty (Patiala gharana) in Shruti Nandan, Calcutta. She received training in Dhrupad, Alap Ghar (Dagar Gharana) from Rudra Veenakar Pt. Asit Kumar Banerjee. She also learnt from the renowned classical artiste, Late Smt. Shanti Sharma of Kirana-Indore Gharana.
CHARANJIT SONI completed her (M.A.) Sangit Praveen from Prayag Sangeet Samiti, Allahabad. She has been a teacher at the Shriram Bharatiya Kala Kendra for over ten years. A talented vocalist, she has trained in light classical vocal music from Smt. Shanti Hiranand for over seven years. She has given performances all over India and is an ‘A’ grade artist with All India Radio and Doordarshan.
She has given performances in various cities in India and several countries in Europe. She has been teaching Hindustani Classical Vocal in Shriram Bharatiya Kala Kendra since 2004.
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INSTRUMENTAL MUSIC: TABLA
VIRENDRA MALVIYA (ex Senior Tabla Artist, Information and Broadcasting Ministry) was born in Allahabad and started learning and playing tabla after being inspired by his elder brother, Shri R. K. Malviya. He became a gandha bandh shagirdh of Shri Someshwar Bhat (Kathak); later he found tutelage under Shri J. N. Chobe who himself was a gandha bandh shagirdh of the late Ustad Ahmadjaan Thirakwa and, finally, he learnt under Shri M. G. Godbole. Shri V. Malviya is a modest human being who still practises regularly. Majoring in the Farukhabad style of tabla playing, he also acknowledges all the great Pakhawaj players whom he met and worked with as they have shaped certain aspects of his tabla playing which is completely unique and spiritual.
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Annual Calendar of Events 2012-2013 OPENING OF COLLEGE
1st July
AUDITIONS FOR NEW ISSIONS
First week of July
KRISHNA a dance-drama based on the life of Lord Krishna
First / Second week of August
RAM a dance-drama based on the life of Lord Ram
October / November (inauguration on the first day of Navratra)
PRESENTATION OF SUMITRA CHARAT RAM AWARD
17 November
STUDENTS’ FESTIVAL
21 December
HALF-YEARLY EXAMINATIONS
End December
FOUNDERS’ DAY / BASANT PANCHAMI
January
SHRIRAM SHANKARLAL MUSIC FESTIVAL February HOLI FESTIVAL
March
SUMMER BALLET FESTIVAL
May
ANNUAL EXAMINATIONS
End May
SUMMER BREAK
1 – 30 June
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Some eminent teachers on the faculty of the Kendra over the years HINDUSTANI VOCAL MUSIC Ustad Mushtaq Hussain Khan Ustad Vilayat Hussain Khan Prof. Dilip Chandra Vedi Ustad Moinuddin Khan Dagar Ustad Aminuddin Khan Dagar Smt. Siddheswari Devi Ustad Ishtiaq Hussain Khan Ustad Munnawar Ali Khan Smt. Naina Devi Pandit Amarnath Shanti Sharma SAROD Ustad Hafiz Ali Khan Ustad Amjad Ali Khan SITAR Ustad Wahid Khan Prof. Debabrata Chowdhury RUDRA VEENA Ustad Asad Ali Khan PAKHAWAJ Guru Purushottam Das Shri Bhagwat Upreti TABLA Ustad Inam Ali Khan Ustad Habibuddin Khan Ustad Bundu Khan Ustad Munnu Khan Ustad Hasmat Ali Khan Akram Khan
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VOCAL MUSIC (LIGHT CLASSICAL) Shanti Hiranand Indu Prakash DANCE KATHAK Shri Shambhu Maharaj Shri Sunder Prasad Shri Birju Maharaj Lachhu Maharaj Shri Kundan Lal Shri Devi Lal Shri Durga Lal Shri Bansi Lal Smt. Vaswati Misra Shri Ram Mohan Misra ODISSI Guru Mayadhar Raut Smt. Aloka Panikar BHARATANATYAM Ms Leela Samson Ms Deepanjali Bedi CHHAU Guru Krishna Chandra Naik Olek Niranjan Bisoi JJ Sai Babu YOGA Shri Subba Rao
Some eminent past students trained at the Kendra KATHAK Bela Arnab Bharati Gupta Chitra Rao Devi Lal Durga Lal Harish Rawat Kamal Kirtikar Keshav Kothari Krishna Kumar Krishna Mohan Kumudini Lakhia Maya Rao Munna Shukla Prabha Marathe Pradeep Shankar Pratap Pawar Ram Mohan Misra Rashmi Vajpeyi Rina Singha Surendra Kaur Tirath Ajmani Uma Dogra Uma Sharma Urmila Nagar Usha Sharma Vishnu Priya Pawar ODISSI Aloka Panikar Kiran Sehgal Ranjana Gauhar Geeta Mahalik CHHAU Bharat Sharma Madhuri Bhatia
Bhushan Lakhandri Harish Rawat Daksha Seth Sharon Lowen BHARATANATYAM Justin McCarthy Deepanjali Bedi Parul Pandeya Radhica Laukaran VOCAL MUSIC B.S. Bali Ghulam Sadiq Khan Ghulam Siraj Khan Ghulam Taqui Khan Irene Roy Choudhury Laxman Bhatt Tailang Nimai Chandra Boral Roma Rani Bhattacharya Shanti Sharma Sulochana Yajurvedi Urmil Shankar Bhargava SITAR/SAROD/VIOLIN/ PAKHAWAJ Bhagwat Upreti (Pakhawaj) Biswajit Roy Chowdhury (Sarod) Dinesh Prabhakar (Violin) Firdaus Khan (Sarod) Ghulam Dastagir Khan (Sitar) Matloob Khan (Sitar) Ram Lakhan (Pakhawaj) Rehmat Ali Khan (Sarod) Tej Prakash Tulsi (Pakhawaj)
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Dance-dramas produced by the Kendra 1957-2012 RAMLILA 1957 Creative Dance Choreography: Narendra Sharma Music: Jyotindra Moitra & Sushil Das Gupta KATHAK-KI-KAHANI 1957 Kathak Choreography: Shambhu Maharaj MALTI MAHADEV 1958 Kathak Choreography: Lacchu Maharaj & Birju Maharaj Music: Dagar Bros. KUMAR SAMBHAV 1958 Kathak Choreography: Birju Maharaj Music: Dagar Bros. DALIA 1961 Kathak Choreography: Birju Maharaj Music: Satish Bhatia SHAN-E-OUDH Kathak Choreography: Birju Maharaj Music: Dagar Bros.
GEET GOVIND 1971 Odissi Choreography: Mayadhar Raut Music: Barun Gupta MEGHDOOT 1973 Creative Dance Choreography: K. Shekharan Music: Barun Gupta AZADI-KE-ORE 1973 Creative Dance Choreography: K. Nambudiri Music: Barun Gupta URVASHI 1974 Creative Dance Choreography: Krishnan Nambudiri Music: Barun Gupta RAMCHARITMANAS 1974 Kathak Choreography: Uma Sharma Music: Jyotindra Moitra & Barun Gupta KATHAK SEQUENCES 1974 Kathak Choreography: Uma Sharma Music: Barun Gupta
GITOPADESH 1965 Kathak Choreography: Birju Maharaj Music: Dagar Bros.
GLIMPSES FROM LORD KRISHNA’S LIFE 1975 Creative Dance Choreography: Guru Gopinath Music: Barun Gupta
KRISHNAYAN 1966 Kathak Choreography: Birju Maharaj Music: Dagar Bros.
DHARTI-KA-VIVAH 1975 Creative Dance Choreography: Durga Lal Music: Barun Gupta
TAJ-KI-KAHANI 1968 Kathak Choreography: Krishna Kumar Music: Ustad Amjad Ali Khan
KENOPANISHAD 1975 Creative Dance Choreography: K. Shekharan Music: Barun Gupta
SITAYAN 1969 Creative Dance Choreography: Krishnan Nambudiri Music: Barun Gupta
MAHABIR 1976 Creative Dance Choreography: K. Shekharan Music: Barun Gupta
MEERA BAI 1970 Creative Dance Choreography: Krishnan Nambudiri Music: Sushil Das Gupta
SURDAS 1976 Kathak Choreography: Uma Sharma Music: Pt Shiv Prashad & Barun Gupta
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KRISHNAVATAR 1977 Creative Dance Choreography: K. Shekharan Music: Barun Gupta JAGDEV 1977 Chhau Mayurbhanj Choreography: Krishna Chandra Naik Music: Barun Gupta KONARK 1978 Chhau Mayurbhanj Choreography: Krishna Chandra Naik Music: Barun Gupta Direction: Shobha Deepak Singh KATHAK SEQUENCES 1978 Kathak Choreography: Munna Shukla Music: Ishtiaq Hussain Khan & Barun Gupta KALING VIJAY 1979 Chhau Mayurbhanj Choreography: Krishna Chandra Naik Music: Barun Gupta Direction: Shobha Deepak Singh KHAJURAHO 1980 Chhau Mayurbhanj Choreography: Krishna Chandra Naik Music: Barun Gupta Direction: Shobha Deepak Singh SHAN-E-MUGHAL 1981 Kathak Choreography: Munna Shukla Music: Ustad Amjad Ali Khan YAYATI 1982 Chhau Mayurbhanj Choreography: Krishna Chandra Naik Music: Sushil Das Gupta Direction: Shobha Deepak Singh BAHUBALI 1982 Creative Dance Choreography: K. Shekharan Music: Barun Gupta MASKS 1983 Creative Dance Choreography: Bhushan Lakhandri Music: Atul Desai Direction: Shobha Deepak Singh SHAKUNTALA 1983 Creative Dance Choreography: K. Shekharan Music: B.K. Gupta & Partha Das Direction: Shobha Deepak Singh
KARNA 1984 Chhau Mayurbhanj Choreography: Krishna Chandra Naik & Bhushan Lakhandri Music: B.K. Gupta & Partha Das Direction: Shobha Deepak Singh ANARKALI 1985 Kathak Choreography: Uma Sharma, assisted by Vaswati Mishra Music: Pt Shiv Prashad & Jwala Prashad Direction: Shobha Deepak Singh CHAITRA PARV 1986 Chhau Mayurbhanj Choreography: Krishna Chandra Naik, assisted by Madan Solanki, Rekha Sharma & Olek Niranjan Bisoi Music: Partha Das Direction: Shobha Deepak Singh KAMAYANI 1987 Kathak Choreography: Kumudini Lakhia Music: Atul Desai Direction: Shobha Deepak Singh BUDDHA 1988 Music: Partha Das Direction: Shobha Deepak Singh MAHADEV 1989 Kathak Choreography: Vaswati Mishra Music: Barun Gupta Direction: Shobha Deepak Singh HARI 1990 Chhau Mayurbhanj, Bharatnatyam & Kathak Choreography: Olek Niranjan Bisoi, Leela Samson & Ram Mohan Mishra Music: Partha Das Direction: Shobha Deepak Singh TIRUPURANTAK 1991 Chhau Choreography: Shashidharan Nair Music: Biswajeet Roy Choudhury Direction: Shobha Deepak Singh CHAKRAVYUHA 1993 Choreography: Shashidharan Nair Music: Barun Gupta Direction: Shobha Deepak Singh PARIKRAMA 1994 Choreography: Shashidharan Nair Music: Shubha Mudgal Direction: Shobha Deepak Singh
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MEERA 1995 Choreography: Shashidharan Nair Music: Shubha Mudgal Direction: Shobha Deepak Singh KRISHNA-KATHA 1996 Choreography: Shashidharan Nair Music: Shubha Mudgal Direction: Shobha Deepak Singh THE FARCE OF DRUNKEN SPORT AND THE SAINT COURTESAN 1999 Bharatnatyam Choreography: Justin McCarthy KIMAPI 2000 Bharatnatyam Choreography: Justin McCarthy KARNA – A Life of Euphoric Sacrifices 2001 Chhau Mayurbhanj Choreography: Shashidharan Nair Music: B.K. Gupta Direction: Shobha Deepak Singh
KSHETRAYYA (Bharatanatyam) 2006 Choreography: Justin McCarthy SHREE DURGA 2007 Choreography: Shashidharan Nair Music: Shanti Sharma Direction: Shobha Deepak Singh ABHIMANYU 2010 Choreography: Shashidharan Nair Music: Barun Gupta Direction: Shobha Deepak Singh KAMAYANI 2011 Choreography: Shobha Deepak Singh Music: Atul Desai Direction: Shobha Deepak Singh KUMAR SAMBHAVA 2012 Choreography: Bhushan Lakandri Music: Barun Gupta Direction: Shobha Deepak Singh Presentations at Bindaadin Jayanti
THE MYSTIC BRIDE AND THE SACRED WITCH 2002 Choreography: Justin McCarthy MEERA 2002 Choreography: Shashidharan Nair Music: Shubha Mudgal Direction: Shobha Deepak Singh BHARATANATYAM ENSEMBLE WORKS: 2003 Choreography: Justin McCarthy
GHAN GHATA Choreography: Baswati Misra ALAAPINI Choreography: Baswati Misra ANTAR HITATWAM Choreography: Baswati Misra JEEWAN SOPAN Choreography: Baswati Misra PURUSHARTH Choreography: Baswati Misra
KHAJURAHO 2003 Choreography: Guru Krishna Chandra Naik Music: Barun Gupta Direction: Shobha Deepak Singh
ACHARYA BRAHASPATI Choreography: Baswati Misra
DANCE OF SHIVA 2003 Choreography: Shashidharan Nair Music: Biswajit Roy Chowdhury Direction: Shobha Deepak Singh
DUI PAKHI Choreography: Baswati Misra
MAARGAM (Bharatanatyam) 2004 Choreography: Justin McCarthy KALIDASA’S RAGHUVAMSHAM AND ABHIGYANASHAKUNTALAM (Bharatanatyam) 2005 Choreography: Justin McCarthy
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AAKAR Choreography: Baswati Misra
BANDISH Choreography: Baswati Misra CHHAND O GATI Choreography: Pandit Durga Lal NIRVANA Choreography: Shobha Deepak Singh
PROSPECTUS 2012 – 2013
PA AWARDEES ASSOCIATED WITH THE KENDRA Bharat Ratna RAVI SHANKAR Pa Vibhushan BIRJU MAHARAJ DHARAM VIRA Pa Bhushan AMJAD ALI KHAN DEBU CHAUDHURY KUMUDINI LAKHIA MAHESHWAR DAYAL SANTOSH SEN UMA SHARMA Pa Shree GHULAM SADIQ KHAN GUNDECHA BROS KIRAN SEGAL LEELA SAMSON MAYADHAR RAUT MUSHTAQ HUSSAIN PRATAP PAWAR PURUSHOTTAM DAS RANJANA GAUHAR RITA GANGULY SHAMBU MAHARAJ SHANTI HIRANAND SHARAFAT HUSSAIN KHAN SHOBHA DEEPAK SINGH SHOVANA NARAYAN SHUBHA MUDGAL SIDHESHWARI DEVI SUMITRA CHARAT RAM
SANGEET NATAK AKADEMI AWARDEES / FELLOWS ASSOCIATED WITH THE KENDRA 1952 MUSHTAQ HUSSAIN KHAN
1989 AMJAD ALI KHAN
1953 HAFIZ ALI KHAN
1989 MAYA RAO
1955 SHAMBHU MAHARAJ
1991 REBA VIDYARTHI
1957 LACCHU MAHARAJ
1993 BALA SAHEB POOCHWALE
1959 SUNDER PRASAD
1994 ATUL DESAI
1960 UDAY SHANKAR
1994 SULOCHANA BRAHASPATI
1960 WAHID KHAN
1996 DEBU CHAUDHARY
1962 MOHAN RAO KALLIANPURKAR
1996 RANI KARNA 1997 L.K. PANDIT
1962 RAVI SHANKAR
1999 LEELA SAMSON
1964 BIRJU MAHARAJ
1999 R.K. DHINGRA
1964 RAHIMUDDIN KHAN DAGAR
1999 SHOVANA NARAYAN
1966 SIDDHESWARI DEVI
2002 KIRAN SEGAL
1970 ACHARYA BRAHASAPATI
2003 URMILA NAGAR
1970 DILIP CHANDRA VEDI
2004 SASWATI SEN
1974 TAPAS SEN
2004 SHASHADHAR ACHARYA
1975 KRISHNA CHANDRA NAIK
2006 MUNNA SHUKLA
1976 NARENDRA SHARMA
2006 GAUTAM BHATTACHARYA
1977 ASAD ALI KHAN
2007 GEETANJALI LAL
1977 GIRIJA DEVI
2007 RANJANA GAUHAR
1978 PURUSHOTTAM DAS
2008 AMBA SANYAL
1981 ASHOK SRIVASTAVA
2008 YOG SUNDAR DESAI
1982 KUMUDINI LAKHIA
2009 DAKSHA SETH
1984 DURGA LAL
2009 GEETA MAHALIK
1985 MAYADHAR RAUT
2009 PRERANA SHRIMALI
1985 NASIR AMINUDDIN DAGAR 1987 UMA SHARMA
Dear Applicant, We welcome you to the Shriram Bharatiya Kala Kendra. The Kendra is an institution committed to the preservation and dissemination of traditional Indian music and dance. The college, founded in 1952, has a long established reputation for excellence in the field of performing arts. It is a lively cultural centre reflecting a fusion of rich artistic traditions and contemporary insights. The mission of the Kendra is to provide each student with education in a safe and ive environment that promotes a thirst for knowledge and understanding, sound values, self discipline, motivation and excellence in learning. The Kendra assists the students in developing skills, encourages them to become independent and self-reliant, and prepares them to become responsible citizens of the global community. At the Kendra, the learning process is seen as one that is both challenging and enjoyable. We believe an art education should foster creativity, independent thinking, as well as provide a deep grounding in one or more performing disciplines. We provide the students not only exemplary education but also a participative atmosphere to learn and perform. Towards this end we hold a Students’ Festival in Nov/Dec at Kamani and Founders’ Day in Jan where selected students from each class get an opportunity to perform live on stage. The students’ fraternity of the Kendra is expected to inculcate a sense of pride in and obligation to India's rich cultural heritage. With a variety of courses on offer ranging from classical vocal music to the highly stylized Chhau dance, the students gain immense exposure to the richness of India's performing arts. The faculty comprises gurus in different disciplines, who have earned laurels for themselves and for the Kendra. Some are alumni driven by the spirit of wanting to give back something of what they previously imbibed here. 1
The Kendra offers a diverse series of courses. Students can prepare for a performing and/or teaching career in their chosen discipline. Apart from the normal professional courses, there are classes for children in which a child can explore a particular musical or dance style without the immediate pressure of choosing it as a career option. The Kendra has a large and rare collection of books, audio as well as visual recordings and extensive archival material in its library. With Kamani Auditorium and spacious campus grounds, the Kendra is a focal point of cultural activities. It has a full calendar of cultural events in which every student is encouraged to participate actively. Apart from normal college activities, the students are in close touch with the Kendra's renowned ballet unit, a dance ensemble that performs extensively in India and abroad. Talented students have the privilege of performing with the unit, a privilege which carries with it, the advantage as well as the excitement of appearing on the best stages and working with inspiring choreographers. Being selected to the Kendra's student body is both an honour and a responsibility. It is hoped and expected that those who gain entrance here will be guided and inspired in their work by the artistic commitment of faculty and other students already studying here. The Kendra believes that financial constraints should not be an impediment to talented students; as such a limited number of scholarships are offered on merit cum means basis. Finally, I welcome you to the Shriram Bharatiya Kala Kendra and hope that you will find your stay fruitful and rewarding. Shobha Deepak Singh Director
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Shriram Bharatiya Kala Kendra COLLEGE OF MUSIC & DANCE 1, Copernicus Marg, New Delhi 110 001 Tel.: 43503333, 23386428/29. Fax: 23383568 E-mail: [email protected]
INTRODUCTION A premier cultural institute of the country, Shriram Bharatiya Kala Kendra was initially founded as ‘Jhankar’ in 1947. Started then as a group for the appreciation of Indian classical music and dance, ‘Jhankar’ has since grown into a regular college imparting training in music and dance. This institution was later ed as Shriram Bharatiya Kala Kendra in 1952 under the Societies’ Registration Act XXI of 1860, and has been recognised by the Ministry of Human Resource Development, Government of India. Preservation and promotion of our cultural heritage through the performing arts have been the primary objective and predominant goal of the Kendra. It has made significant contributions in this direction. This effort has expressed itself mainly in two directions: the College of Music and Dance, and the Performing Arts Section. The College offers tuitions in most of the classical dance styles and music forms of India, such as Kathak, Bharatanatyam, Odissi, Chhau, Hindustani Classical Vocal and Instrumental Music. Eminent gurus of these disciplines supervise the teaching programmes to help the students excel in their subject of study. The Performing Arts Section is engaged in production and presentation of dance dramas all over the country and abroad. The production and presentation of Ramlila has become a notable annual event in the cultural life of the capital, and over sixty thousand people witness it every year during the Dussehra month.
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LOCATION Shriram Bharatiya Kala Kendra is located in the heart of Delhi’s cultural hub, the Mandi House area. It nestles in the calm atmosphere of over two acres of space. The compound also houses the premier auditorium of Delhi — the Kamani Auditorium, which is a sister-body of the Kendra. It is surrounded by several prominent national centres of cultural activities, such as Sangeet Natak Akademi, Lalit Kala Akademi and Doordarshan Kendra. Other institutes include Kathak Kendra, National School of Drama, Triveni Kala Sangam and Little Theatre Group. The students, therefore, have good opportunities to interact with music, dance and theatre faculties. The Kendra is accessible by bus and metro. COURSES AND ISSION Subjects (a) Classical Vocal (b) Light Classical Vocal, including Ghazal, Bhajan & Geet (c) Tabla/Sitar/Sarod (d) Kathak (e) Bharatanatyam (f) Odissi (g) Chhau – Mayurbhanj (h) Ballet The study courses comprise the following: Course
Duration
a.
MUSIC & DANCE APPRECIATION COURSE
1 to 2 years
b.
CERTIFICATE COURSE
3 years
c.
DIPLOMA COURSE
2 years
d.
POST-DIPLOMA COURSE
2 years
e.
PROFESSIONAL COURSE (after Post-Diploma Course)
1 year onwards
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Rules 1. All students are required to attend classes at least thrice a week in the main discipline. Students failing to satisfy the conditions of attendance are liable to be disqualified from the college. 2. The minimum age for ission to the Foundation Course is 8 years as on July 1, 2012. Students will be considered for Diploma Courses only after they attain the age of 13 years. We have also introduced a Professional Training Course for PostDiploma holders. 3. Applications for ission should be addressed to the Director, Shriram Bharatiya Kala Kendra, 1, Copernicus Marg, New Delhi 110 001. Applications in prescribed form should reach the Kendra on or before 30th June 2012. The price of the prospectus with the ission form is Rs 300/-. 4. The selection of the candidates for ission to any course is made through an audition. Pre-recorded music is not permitted for the audition. 5. The application form has a list of positive weightage subjects. Please read them carefully and mark your preferences. Students, who have positive inclination to these subjects, will be given preference. 6. The new session of the Kendra starts on 1st July and concludes on 31st May every year unless otherwise notified. 7. The students are required to follow dress code norms as laid down by the Kendra. 8. Mobile phones should be switched off during classes; failing which they are liable to be confiscated for 24 hours. 9. Other than the fees, students are prohibited from paying any amount towards collection of money in class. Any such request / demand by any student or faculty member should be brought to the notice of the Principal immediately.
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FEES AND DEPOSITS Particulars
Amount (Rs)
*Prospectus / application form by hand
300.00
ICCR Students — Tuition Fee (per month) ICCR Students — Hostel Fee (per month)
2,500.00 2,500.00
*ission Fee (non-refundable) *Security Deposit *Examination Fee *Founder’s Day / College Festival Day *Library fund
1,000.00 1,000.00 1,000.00 1,000.00 500.00
*Security Deposit for Mess (refundable) *Security Deposit for Hostel (refundable) Hostel ission fee (non refundable)
2,000.00 2,000.00 1,200.00
Music & Dance Appreciation Course 1st year (per month) 2nd year (per month)
700.00 800.00
Certificate Course 1st year (per month) 2nd year (per month) 3rd year (per month)
900.00 1,000.00 1,100.00
Diploma Course 1st Year (per month) 2nd year (per month)
1,200.00 1,300.00
Post-Diploma Course 1st year (per month) 2nd year (per month)
1,400.00 1,500.00
Professional Course
2,000.00
Identity Card (The card to be returned after the expiry of student’s tenure) Duplicate Identity Card Hostel Charges (per month) (local students) Mess Charges (per month) (subject to revision)
100.00 100.00 1,600.00 2,400.00
* The exact amount of the fees payable will be communicated to the candidate after his/her ission and placement have been finalised. * At the time of issue of I-cards, all students need to bring along a recent port size photograph and fill in their blood group in the I-card. * All refundable dues will be held by the Kendra for a period of one year.
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PAYMENT OF DUES 1. All fees are payable in advance by cash. Fees will be paid for the first six months at the time of opening of the college and thereafter quarterly by 10th January & 10th April. For fees paid after July upto 10th August a fine of Rs 50/- will be charged and thereafter Rs 100/till end of the month. For fees paid after 10th January upto 20th January and after 10th April upto 20th April, a fine of Rs 50/- will be imposed and thereafter Rs 100/- till end of the month. (a) If the fee is not paid by the last day of the month of January & April, the name of the student will be struck off the rolls, and the security deposit shall be forfeited. Fee deposit timings are 10 am to 1 pm and 2 pm to 5.30 pm on all working days. (b) If a student s a second subject he / she will be charged the course fees and examination fees for the second subject. 2. If a new student is itted in the middle of the term, he / she shall have to pay fees on pro rata basis. 3. Fees once paid are not refundable. 4. If a student leaves before completion of the course without sufficient reason, he/she will not be refunded his/her security deposit. 5. The security deposit will lapse, if not claimed within one year of the student leaving the institution. 6. Each student of the college will be provided with an identity card. Students should carry this card while coming for the class and show it, if asked. The card will be valid for the academic year only. 7. Students holding scholarships from ICCR or similar organizations shall be charged tuition fees, etc., as per the arrangements agreed between the sponsoring agency and the Kendra. RE-ISSION A student, whose name has been struck off the rolls, will be reitted only at the discretion of the Management and on payment of Rs 500/- as re-ission fee.
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CLASS TIMINGS — WORKING HOURS 10.00 a.m. to 1.00 p.m. and 4.00 p.m. to 7.00 p.m. (Class Time Table may be obtained from the Principal). Classes on various courses will be conducted as per the Time Table. All classes should be vacated by 1.15 p.m. after the morning session and 7.15 p.m. after the evening session. VACATIONS The institution observes summer vacation for one month from 1st June to 30th June every year. ATTENDANCE AND DISCIPLINE 1. Students are expected to observe strict discipline in the class. 2. Students are required to attend at least 75% of the classes for BiAnnual and Annual examination. 3. Students, who remain absent for ten consecutive classes without leave applications, shall be struck off the rolls. 4. Parents and visitors are strictly prohibited from entering the teaching area. 5. Any student found indulging in any undesirable conduct will be suspended or expelled at the discretion of the Management. 6. Students are expected to actively participate in the activities of the Kendra, such as performances / concerts / lecturedemonstrations as and when required. ACCOMMODATION AND HOSTEL FACILITIES A gracious residence with beautiful lawns of its own, the SBKK Hostel has a Visitor’s lounge, and a Cafetaria. Limited hostel accommodation is available both for male and female students. The hostel is situated in the SBKK premises and is provided with basic amenities and furniture. HOW TO APPLY FOR ACCOMMODATION 1. Applications for hostel accommodation must reach the College before 15th July. The allocation of the hostel would depend on the student’s behaviour and aptitude. 2. Any candidate wishing to seek hostel accommodation shall be required to fill in the prescribed license form at the time of allotment of the hostel accommodation. 8
3. Ordinarily, only students residing outside Delhi shall be considered for hostel accommodation. 4. Applicants shall have to attach with the hostel application a medical fitness certificate. HOSTEL RULES 1. Hostel applications of only those students who attend classes six days a week will be entertained. 2. Applicants shall submit a written undertaking that they will not accept any paid job or any study/training course other than being conducted at the Kendra/College during the period of their studentship. 3. For any outside assignments, the hostel students shall apply to the Director, and obtain permission in advance. 4. Hostel accommodation shall not be claimed as a matter of right. The decision of the Management shall be final and cannot be challenged. Once the hostel accommodation is granted, students shall strictly abide by the hostel rules of conduct and other and conditions. 5. The SBKK authorities may recommend eviction of a student on disciplinary grounds; in which case, the concerned student would be given 48 hours to vacate the room. 6. If any student seeks to leave the Hostel on valid grounds, he/she must seek the prior permission of the Director through Principal/ Warden. 7. If a student leaves the hostel before the completion of one academic year, he/she will not be refunded his/her security deposit. 8. The Mess charges should be deposited by 10th of every month with s Department. 9. It is compulsory for hostel students to have a subsidiary subject. In case, a student discontinues to stay in hostel he/she will have to pay the fees for the subsidiary subject. 10. Students will keep the rooms neat and clean at all times. 11. The rooms will be inspected once a week.
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LIBRARY The Kendra houses a large library of rare and contemporary books in Hindi and English on music, philosophy, religion and associated subjects. The library is also equipped with a large and valuable collection of audio and video CDs. Students are encouraged to make optimum use of the library. CAFÉ The Kendra has a canteen which caters to the resident students as well as outsiders. It serves light refreshments and meals. EXTRA CURRICULAR ACTIVITIES The Kendra organises a wide range of cultural activities throughout the year. These include Krishna, Ram, Music & Dance Festival of SBKK at Kamani, Founder’s Day, Holi Festival, Shriram Shankarlal Music Festival and Ballet Festival. The Kendra expects the students to participate actively in all functions. The ornaments and costumes are all made at the Kendra and students are encouraged to participate in their making and learn in the process. The eligibility for extension of the hostel facilities depends, among other things, on the students’ participation in above-mentioned activities. Extra marks are allotted to hostellers for participation in Kendra’s activities. EXAMINATIONS Examinations for all subjects are held twice during the academic session. The first is the bi-annual (mid-term) examination and the second, the annual (end-term) examination. The Kendra reserves the right to disallow any student to appear in the examination on grounds of indiscipline or gross violation of rules or shortage of attendance. GENERAL INSTRUCTIONS 1. Park your vehicle in the allotted place. 2. Apply for leave in advance and get it sanctioned from your Teacher and Principal. In case of illness, applications must be ed by a medical certificate from a ed Medical Practitioner. 3. Do not take musical instruments out of the class-room. 4. Eatables/drinks are prohibited in the class-room. 10
THE KENDRA FACULTY Ballet / Chhau Dance SHASHIDHARAN NAIR Bharatanatyam JUSTIN McCARTHY SUDHA JAGANNATH Kathak MUNNA SHUKLA RAMMOHAN MISRA PRERANA SHRIMALI RAKSHA SINGH DAVID SWATI SINHA Odissi PRIYAMBADA PATTNAIK Sitar / Sarod BISWAJIT ROY CHOWDHURY Classical Vocal GUNDECHA BROTHERS JYOTIKA DAYAL MANJEET SINGH SONIA ROY Light Classical Vocal CHARANJIT SONI Tabla VIRENDRA MALVIYA
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THE FACULTY BALLET / CHHAU DANCE
SHASHIDHARAN NAIR, a brilliant performer of Kathakali and Mayurbhanj Chhau, and a choreographer of repute, began his artistic journey with Kathakali in his village Edakkalathur in Kerala, where he trained under Kalamandalam Panabhan Nair. He won a scholarship at the age of 9 that gave him the privilege of training under the great master of Kathakali — Kavungal Shankaran Kutty Paniker for a decade at the Rajah’s High School, Kozhikode. He learnt Mayurbhanj Chhau from the great master, Guru Krishna Chandra Naik at Rangasri Ballet Troupe, Gwalior and Shriram Bharatiya Kala Kendra, Delhi. He has been associated with Shriram Bharatiya Kala Kendra for over two decades — as a dancer from 1982 to 1984, as a trainer from 1987 to 1990 and as a choreographer since 1990.
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DANCE: BHARATANATYAM
DANCE: BHARATANATYAM
JUSTIN McCARTHY studied Bharatanatyam at the Way of the Dance School in California, and with Subbarayan Pillai in Madras before spending a decade with Leela Samson at the Kendra. He ed the Kendra as a teacher in 1988.
SUDHA JAGANNATH began her training in Bharatanatyam at the Shriram Bharatiya Kala Kendra in 1987 under the guidance of Leela Samson (1987-90) and later under Justin McCarthy. She has performed extensively in India and abroad, in solo, as well as with leading professional groups. At present she is assisting Justin McCarthy in conducting Bharatanatyam classes at the Shriram Bharatiya Kala Kendra.
He has imparted training to students from all over the world. He has created and choreographed many solo, duet and ensemble pieces which have met with critical acclaim. He has been honoured with Pt.Jasraj Cross-Cultural Understanding Award (2010).
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DANCE: KATHAK
DANCE: KATHAK
MUNNA SHUKLA has been gifted with talent and rare-deep insight into the finer nuances of Kathak, a classical dance form of North India. He is the grandson of the great Kathak Maestro, late Achan Maharaj, and a nephew of the illustrious Birju Maharaj.
RAMMOHAN MISRA, born in the prestigious family of Kathak of KalkaBindadin Gharana, is the son of late legendary Pa Shree Pt. Sambhu Maharaj. His initiation in Kathak dance was under his father at the age of six, who taught him the exact style of Kathak and abhinaya. After his father, he was guided by Pt. Birju Maharaj.
He received his initial training in Kathak from his father, late Sunder Lal Shukla, and later from Birju Maharaj under the National Scholarship Scheme offered by the Ministry of Culture. He has worked with the students of Film and TV Institute of India. Guru Munna Shukla was at the Kathak Kendra from 1976 to 2006, and has trained several artistes. His works reveal a rare combination of technical competence and creativity. He has been honoured with UPSN Akademi Award (1988), Sarangdeo Award by Sur Singar Samsad, Bombay (1989), Sahitya Kala Parishad Samman (2003), Sangeet Natak Akademi Award (2006), and Saraswati Music College Samman (2011).
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Rammohan Misra is the seventh generation of this family. He has performed in several prestigious programmes in all major states of India. After Birju Maharaj, he is the tradition-bearer of this gharana. He has the style and expression acquired from his father, and various other styles from the ancestors in his family. He is widely travelled and has been performing all over the world since 1979. He has been awarded the Indira Gandhi Priyadarshini Award 2006, Arch of Excellence Award, Outstanding National Citizen Award, and Gems of India Award.
DANCE: KATHAK
DANCE: KATHAK
SWATI SINHA started learning Kathak at the tender age of seven under Guru Rajendra Gangani at the Kathak Kendra, where she completed her diploma. She received scholarships from t h e Ministry of Human Resource Development in 1998. As an emled artist with the ICCR, she has performed abroad; she is also an A-grade artist with Doordarshan.
R A K S H A S I N G H D AV I D , a promising Kathak dancer, started learning at a very young age under the guidance of Smt. Sharmila Chatterjee. Thereafter, she pursued her M.A. from Khairagarh University under the tutelage of Prof. Rama Das. After her post-graduation, she underwent training at Shriram Bharatiya Kala Kendra under the guidance of Guru Shikha Khare.
Swati has performed in several dance festivals such as the Konark Festival, Swami Haridas Sangeet Samaroh, Kathak Mahotsava, Soorya Festival, and Nritya Pratibha. She has choreographed for the opening ceremony of the Youth Festival in Hyderabad in 2005, and World Dance Day in Patiala in 2006. She has also presented a fusion of Kathak, Bharatnatyam and Mohiniattam in San Diego, California, as well as a duet with Flamenco artist Bettina Castano.
At present, she is taking advance training under the guidance of Kathak Maestro Pt. Birju Maharaj for the past four years. She is also ‘Prabhakar’ in Classical Vocal and Junior Diploma holder in Light Classical Vocal.
Swati has conducted Kathak workshops in Delhi and Beijing, and has given lecture demonstrations for Spic-Macay. Presently, Swati Sinha is teaching at Shriram Bharatiya Kala Kendra.
She has received National Scholarship from the Ministry of Culture, and has also been awarded Nritya Ratna Samman by the Society for Action through Music (SAM). She has done many choreographic works such as ‘Yamuna Beech Shyam Chavi’, Dhruv’ and ‘Pakhi’. She has also written articles for various magazines and books. She has performed at various festivals, and also in a TV serial, ‘Bharat Ke Sant Kavi’ on DD Bharti. 15
DANCE: KATHAK
PRERANA SHRIMALI, a senior dancer of Jaipur Gharana of Kathak received her training in dance from Guru Shri Kundanlal Gangani. Having mastered the grammar and the complexities of the Jaipur style, with her grace, innovativeness and imagination, she ranks among the most illustrious and reputed classical dancers of India today. Equally competent in nritta and abhinaya, Prerana Shrimali has endeavoured to expand the Kathak repertoire by choreographing new and highly acclaimed compositions based on poetry – ancient, medieval, and modern. Widely travelled, both in India and abroad, Prerana has featured in all the major dance festivals in India. She has been teaching Kathak in Delhi for many years and is currently engaged in writing and researching on ‘Kathak and Abstraction’ for which she got Senior Fellowship from Government of India. She has also worked as the repertory chief of Kathak Kendra Delhi for two years. She is the recipient of the Rajasthan Sangeet Natak Akademi Award 1993 and the Sangeet Natak Akademi Award 2009. 16
DANCE: ODISSI
P R I YA M B A D A PAT T N A I K , a talented Odissi dancer, was born in a traditional art family of Orissa. The grand-daughter of the great Odissi maestro, late Pt. Chandrashekhar Pattnaik, she received her initial training from her father, late Indra Kumar Pattnaik and later with late Guru Mahadeo Raut for 10 years. Priyambada moved to Bhubaneswar in 1993 to receive advance training from Guru Gandhadhar Pradhan and Guru Bichitrananda Swain. She was also trained for seven years at Nrityagram, Bangalore. Priyambada has performed all over India and abroad.
INSTRUMENTAL MUSIC: SAROD/SITAR
MUSIC: CLASSICAL VOCAL
BISWAJEET ROY CHOUDHARY is an accomplished Sarod player and an excellent teacher. He had his first lessons in Sitar and Sarod from his father as a child, and moved to Calcutta in 1974 to learn under Pandit Indranil Bhattacharya, a pupil of Ustad Allaudin Khan. In 1978, a scholarship to study under Ustad Amjad Ali Khan brought Biswajeet to Delhi. He had the privilege of being trained under the legendary vocalist, Pt. Mallikarjun Mansur from 1980 till 1992. Many of his students have bagged national scholarships. He thus has the benefit of being trained under distinguished teachers in both the major schools of Sarod-playing.
GUNDECHA BROTHERS, Umakant and Ramakant Gundecha are one of India’s leading exponents of the Dhrupad style of music. They are among the most active performers of Dhrupad in India and abroad. Born in Ujjain in Central India, both were initiated into music by their parents. They learned the Dhrupad vocal art under the renowned Dhrupad vocalist Ustad Zia Fariduddin Dagar and also under Ustad Zia Mohiuddin Dagar at Dhrupad Kendra, Bhopal.
Over the years, Biswajeet has performed at various music festival and concerts all over India, broadcast regularly from All India Radio, and appeared on the television as well. He now lives in Delhi where he has been teaching both the Sitar and the Sarod at the Kendra since 1992.
The Gundecha Brothers have sung great Hindi poetry by Tulsidas, Kabir, Pakar, Nirala in Dhrupad style. They have several cassettes and CDs to their credit. They have also performed over radio and television in India and abroad. They have also performed at several music festivals abroad, including Europe, USA, Australia, Japan, Egypt, Singapore, Bangladesh, UAE and Hong Kong. Some of the many awards the Gundecha Brothers have received include the Sanskriti Award, Kumar Gandharva Award, Dagar Gharana Award, Rajat Kamal, National Film Award for Best Music Direction, and Pa Shree in 2012.
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MUSIC: CLASSICAL VOCAL
MUSIC: CLASSICAL VOCAL
JYOTIKA DAYAL was born in 1967 in Benares. An accomplished artist, she has completed her Post Diploma in the field of Hindustani Classical Vocal Music under the able guidance of Pandit Amarnath and Smt. Shanti Sharma at the Shri Ram Bharatiya Kala Kendra in New Delhi. She was a recipient of the Senior Scholarship from Ministry of Human Resource and Development, Government of India.
MANJEET SINGH was introduced to the field of Hindustani Classical Vocal Music by Prof. B.S. Bali (retired Principal of Music & Fine Arts College, Jammu). He received guidance from Late Smt. Shanti Sharma, a renowned vocalist who had been a guru at the Kendra.
Jyotika Dayal had her first performance abroad in Europe and Mauritius in 1995-1996. Since 1998, she has been a member of the Music Ensemble of Benares, where she plays an important part not only as a singer but also as a composer and choreographer.
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He has been honoured twice by the Governor of Jammu & Kashmir for his contribution to the field of Hindustani classical vocal music. He has also received the Swar Mani Award from Mumbai and the S a d b h a w n a Aw a r d f r o m t h e Government of J&K. He has also been a recipient of a National Scholarship from the Department of Culture, Government of India.
MUSIC: CLASSICAL VOCAL
MUSIC: VOCAL (LIGHT CLASSICAL)
SONIA ROY, ‘A’ grade artist of All India Radio, started learning Hidustani Classical Music in her early childhood and got consistent training for 11 years from Dr. Anjoli Chakraborty (professor at Rabindra Bharati University, Calcutta) and achieved blessings of Pt. Ajoy Chakraborty (Patiala gharana) in Shruti Nandan, Calcutta. She received training in Dhrupad, Alap Ghar (Dagar Gharana) from Rudra Veenakar Pt. Asit Kumar Banerjee. She also learnt from the renowned classical artiste, Late Smt. Shanti Sharma of Kirana-Indore Gharana.
CHARANJIT SONI completed her (M.A.) Sangit Praveen from Prayag Sangeet Samiti, Allahabad. She has been a teacher at the Shriram Bharatiya Kala Kendra for over ten years. A talented vocalist, she has trained in light classical vocal music from Smt. Shanti Hiranand for over seven years. She has given performances all over India and is an ‘A’ grade artist with All India Radio and Doordarshan.
She has given performances in various cities in India and several countries in Europe. She has been teaching Hindustani Classical Vocal in Shriram Bharatiya Kala Kendra since 2004.
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INSTRUMENTAL MUSIC: TABLA
VIRENDRA MALVIYA (ex Senior Tabla Artist, Information and Broadcasting Ministry) was born in Allahabad and started learning and playing tabla after being inspired by his elder brother, Shri R. K. Malviya. He became a gandha bandh shagirdh of Shri Someshwar Bhat (Kathak); later he found tutelage under Shri J. N. Chobe who himself was a gandha bandh shagirdh of the late Ustad Ahmadjaan Thirakwa and, finally, he learnt under Shri M. G. Godbole. Shri V. Malviya is a modest human being who still practises regularly. Majoring in the Farukhabad style of tabla playing, he also acknowledges all the great Pakhawaj players whom he met and worked with as they have shaped certain aspects of his tabla playing which is completely unique and spiritual.
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Annual Calendar of Events 2012-2013 OPENING OF COLLEGE
1st July
AUDITIONS FOR NEW ISSIONS
First week of July
KRISHNA a dance-drama based on the life of Lord Krishna
First / Second week of August
RAM a dance-drama based on the life of Lord Ram
October / November (inauguration on the first day of Navratra)
PRESENTATION OF SUMITRA CHARAT RAM AWARD
17 November
STUDENTS’ FESTIVAL
21 December
HALF-YEARLY EXAMINATIONS
End December
FOUNDERS’ DAY / BASANT PANCHAMI
January
SHRIRAM SHANKARLAL MUSIC FESTIVAL February HOLI FESTIVAL
March
SUMMER BALLET FESTIVAL
May
ANNUAL EXAMINATIONS
End May
SUMMER BREAK
1 – 30 June
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Some eminent teachers on the faculty of the Kendra over the years HINDUSTANI VOCAL MUSIC Ustad Mushtaq Hussain Khan Ustad Vilayat Hussain Khan Prof. Dilip Chandra Vedi Ustad Moinuddin Khan Dagar Ustad Aminuddin Khan Dagar Smt. Siddheswari Devi Ustad Ishtiaq Hussain Khan Ustad Munnawar Ali Khan Smt. Naina Devi Pandit Amarnath Shanti Sharma SAROD Ustad Hafiz Ali Khan Ustad Amjad Ali Khan SITAR Ustad Wahid Khan Prof. Debabrata Chowdhury RUDRA VEENA Ustad Asad Ali Khan PAKHAWAJ Guru Purushottam Das Shri Bhagwat Upreti TABLA Ustad Inam Ali Khan Ustad Habibuddin Khan Ustad Bundu Khan Ustad Munnu Khan Ustad Hasmat Ali Khan Akram Khan
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VOCAL MUSIC (LIGHT CLASSICAL) Shanti Hiranand Indu Prakash DANCE KATHAK Shri Shambhu Maharaj Shri Sunder Prasad Shri Birju Maharaj Lachhu Maharaj Shri Kundan Lal Shri Devi Lal Shri Durga Lal Shri Bansi Lal Smt. Vaswati Misra Shri Ram Mohan Misra ODISSI Guru Mayadhar Raut Smt. Aloka Panikar BHARATANATYAM Ms Leela Samson Ms Deepanjali Bedi CHHAU Guru Krishna Chandra Naik Olek Niranjan Bisoi JJ Sai Babu YOGA Shri Subba Rao
Some eminent past students trained at the Kendra KATHAK Bela Arnab Bharati Gupta Chitra Rao Devi Lal Durga Lal Harish Rawat Kamal Kirtikar Keshav Kothari Krishna Kumar Krishna Mohan Kumudini Lakhia Maya Rao Munna Shukla Prabha Marathe Pradeep Shankar Pratap Pawar Ram Mohan Misra Rashmi Vajpeyi Rina Singha Surendra Kaur Tirath Ajmani Uma Dogra Uma Sharma Urmila Nagar Usha Sharma Vishnu Priya Pawar ODISSI Aloka Panikar Kiran Sehgal Ranjana Gauhar Geeta Mahalik CHHAU Bharat Sharma Madhuri Bhatia
Bhushan Lakhandri Harish Rawat Daksha Seth Sharon Lowen BHARATANATYAM Justin McCarthy Deepanjali Bedi Parul Pandeya Radhica Laukaran VOCAL MUSIC B.S. Bali Ghulam Sadiq Khan Ghulam Siraj Khan Ghulam Taqui Khan Irene Roy Choudhury Laxman Bhatt Tailang Nimai Chandra Boral Roma Rani Bhattacharya Shanti Sharma Sulochana Yajurvedi Urmil Shankar Bhargava SITAR/SAROD/VIOLIN/ PAKHAWAJ Bhagwat Upreti (Pakhawaj) Biswajit Roy Chowdhury (Sarod) Dinesh Prabhakar (Violin) Firdaus Khan (Sarod) Ghulam Dastagir Khan (Sitar) Matloob Khan (Sitar) Ram Lakhan (Pakhawaj) Rehmat Ali Khan (Sarod) Tej Prakash Tulsi (Pakhawaj)
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Dance-dramas produced by the Kendra 1957-2012 RAMLILA 1957 Creative Dance Choreography: Narendra Sharma Music: Jyotindra Moitra & Sushil Das Gupta KATHAK-KI-KAHANI 1957 Kathak Choreography: Shambhu Maharaj MALTI MAHADEV 1958 Kathak Choreography: Lacchu Maharaj & Birju Maharaj Music: Dagar Bros. KUMAR SAMBHAV 1958 Kathak Choreography: Birju Maharaj Music: Dagar Bros. DALIA 1961 Kathak Choreography: Birju Maharaj Music: Satish Bhatia SHAN-E-OUDH Kathak Choreography: Birju Maharaj Music: Dagar Bros.
GEET GOVIND 1971 Odissi Choreography: Mayadhar Raut Music: Barun Gupta MEGHDOOT 1973 Creative Dance Choreography: K. Shekharan Music: Barun Gupta AZADI-KE-ORE 1973 Creative Dance Choreography: K. Nambudiri Music: Barun Gupta URVASHI 1974 Creative Dance Choreography: Krishnan Nambudiri Music: Barun Gupta RAMCHARITMANAS 1974 Kathak Choreography: Uma Sharma Music: Jyotindra Moitra & Barun Gupta KATHAK SEQUENCES 1974 Kathak Choreography: Uma Sharma Music: Barun Gupta
GITOPADESH 1965 Kathak Choreography: Birju Maharaj Music: Dagar Bros.
GLIMPSES FROM LORD KRISHNA’S LIFE 1975 Creative Dance Choreography: Guru Gopinath Music: Barun Gupta
KRISHNAYAN 1966 Kathak Choreography: Birju Maharaj Music: Dagar Bros.
DHARTI-KA-VIVAH 1975 Creative Dance Choreography: Durga Lal Music: Barun Gupta
TAJ-KI-KAHANI 1968 Kathak Choreography: Krishna Kumar Music: Ustad Amjad Ali Khan
KENOPANISHAD 1975 Creative Dance Choreography: K. Shekharan Music: Barun Gupta
SITAYAN 1969 Creative Dance Choreography: Krishnan Nambudiri Music: Barun Gupta
MAHABIR 1976 Creative Dance Choreography: K. Shekharan Music: Barun Gupta
MEERA BAI 1970 Creative Dance Choreography: Krishnan Nambudiri Music: Sushil Das Gupta
SURDAS 1976 Kathak Choreography: Uma Sharma Music: Pt Shiv Prashad & Barun Gupta
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KRISHNAVATAR 1977 Creative Dance Choreography: K. Shekharan Music: Barun Gupta JAGDEV 1977 Chhau Mayurbhanj Choreography: Krishna Chandra Naik Music: Barun Gupta KONARK 1978 Chhau Mayurbhanj Choreography: Krishna Chandra Naik Music: Barun Gupta Direction: Shobha Deepak Singh KATHAK SEQUENCES 1978 Kathak Choreography: Munna Shukla Music: Ishtiaq Hussain Khan & Barun Gupta KALING VIJAY 1979 Chhau Mayurbhanj Choreography: Krishna Chandra Naik Music: Barun Gupta Direction: Shobha Deepak Singh KHAJURAHO 1980 Chhau Mayurbhanj Choreography: Krishna Chandra Naik Music: Barun Gupta Direction: Shobha Deepak Singh SHAN-E-MUGHAL 1981 Kathak Choreography: Munna Shukla Music: Ustad Amjad Ali Khan YAYATI 1982 Chhau Mayurbhanj Choreography: Krishna Chandra Naik Music: Sushil Das Gupta Direction: Shobha Deepak Singh BAHUBALI 1982 Creative Dance Choreography: K. Shekharan Music: Barun Gupta MASKS 1983 Creative Dance Choreography: Bhushan Lakhandri Music: Atul Desai Direction: Shobha Deepak Singh SHAKUNTALA 1983 Creative Dance Choreography: K. Shekharan Music: B.K. Gupta & Partha Das Direction: Shobha Deepak Singh
KARNA 1984 Chhau Mayurbhanj Choreography: Krishna Chandra Naik & Bhushan Lakhandri Music: B.K. Gupta & Partha Das Direction: Shobha Deepak Singh ANARKALI 1985 Kathak Choreography: Uma Sharma, assisted by Vaswati Mishra Music: Pt Shiv Prashad & Jwala Prashad Direction: Shobha Deepak Singh CHAITRA PARV 1986 Chhau Mayurbhanj Choreography: Krishna Chandra Naik, assisted by Madan Solanki, Rekha Sharma & Olek Niranjan Bisoi Music: Partha Das Direction: Shobha Deepak Singh KAMAYANI 1987 Kathak Choreography: Kumudini Lakhia Music: Atul Desai Direction: Shobha Deepak Singh BUDDHA 1988 Music: Partha Das Direction: Shobha Deepak Singh MAHADEV 1989 Kathak Choreography: Vaswati Mishra Music: Barun Gupta Direction: Shobha Deepak Singh HARI 1990 Chhau Mayurbhanj, Bharatnatyam & Kathak Choreography: Olek Niranjan Bisoi, Leela Samson & Ram Mohan Mishra Music: Partha Das Direction: Shobha Deepak Singh TIRUPURANTAK 1991 Chhau Choreography: Shashidharan Nair Music: Biswajeet Roy Choudhury Direction: Shobha Deepak Singh CHAKRAVYUHA 1993 Choreography: Shashidharan Nair Music: Barun Gupta Direction: Shobha Deepak Singh PARIKRAMA 1994 Choreography: Shashidharan Nair Music: Shubha Mudgal Direction: Shobha Deepak Singh
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MEERA 1995 Choreography: Shashidharan Nair Music: Shubha Mudgal Direction: Shobha Deepak Singh KRISHNA-KATHA 1996 Choreography: Shashidharan Nair Music: Shubha Mudgal Direction: Shobha Deepak Singh THE FARCE OF DRUNKEN SPORT AND THE SAINT COURTESAN 1999 Bharatnatyam Choreography: Justin McCarthy KIMAPI 2000 Bharatnatyam Choreography: Justin McCarthy KARNA – A Life of Euphoric Sacrifices 2001 Chhau Mayurbhanj Choreography: Shashidharan Nair Music: B.K. Gupta Direction: Shobha Deepak Singh
KSHETRAYYA (Bharatanatyam) 2006 Choreography: Justin McCarthy SHREE DURGA 2007 Choreography: Shashidharan Nair Music: Shanti Sharma Direction: Shobha Deepak Singh ABHIMANYU 2010 Choreography: Shashidharan Nair Music: Barun Gupta Direction: Shobha Deepak Singh KAMAYANI 2011 Choreography: Shobha Deepak Singh Music: Atul Desai Direction: Shobha Deepak Singh KUMAR SAMBHAVA 2012 Choreography: Bhushan Lakandri Music: Barun Gupta Direction: Shobha Deepak Singh Presentations at Bindaadin Jayanti
THE MYSTIC BRIDE AND THE SACRED WITCH 2002 Choreography: Justin McCarthy MEERA 2002 Choreography: Shashidharan Nair Music: Shubha Mudgal Direction: Shobha Deepak Singh BHARATANATYAM ENSEMBLE WORKS: 2003 Choreography: Justin McCarthy
GHAN GHATA Choreography: Baswati Misra ALAAPINI Choreography: Baswati Misra ANTAR HITATWAM Choreography: Baswati Misra JEEWAN SOPAN Choreography: Baswati Misra PURUSHARTH Choreography: Baswati Misra
KHAJURAHO 2003 Choreography: Guru Krishna Chandra Naik Music: Barun Gupta Direction: Shobha Deepak Singh
ACHARYA BRAHASPATI Choreography: Baswati Misra
DANCE OF SHIVA 2003 Choreography: Shashidharan Nair Music: Biswajit Roy Chowdhury Direction: Shobha Deepak Singh
DUI PAKHI Choreography: Baswati Misra
MAARGAM (Bharatanatyam) 2004 Choreography: Justin McCarthy KALIDASA’S RAGHUVAMSHAM AND ABHIGYANASHAKUNTALAM (Bharatanatyam) 2005 Choreography: Justin McCarthy
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AAKAR Choreography: Baswati Misra
BANDISH Choreography: Baswati Misra CHHAND O GATI Choreography: Pandit Durga Lal NIRVANA Choreography: Shobha Deepak Singh
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